So – Irish Pen New Kids on the Block night – more detailed notes. I will basically transcribe all my notes from the night in case it’s useful to those writing for kiddi winks.

First off was Paddy O’Doherty.

Paddy is an experienced editor and has worked with Children’s Books Ireland for many years. She has recently become the Children’s Editor at Puffin Ireland.

Here is what she had to say (paraphrased) and very interesting it is too:
Penguin Ireland has published for 8 years now. Puffin Ireland is linked to Puffin Uk so the big advantage is that authors will have immediate access to sales in the UK and maybe all the English speaking countries. But this does restrict the books we can take on. They will have to have international appeal.
We will accept unsolicited manuscripts (not from an agent) but there will be little chance at the moment to publish books for the under 7s and picture books. In the future I would dearly love to publish picture books. Paddy explained that the economics of picture books just don’t add up.
This is what she wants:
Age 7 to 9 fiction
Age 8 to 12 fiction
We need books that fill the gaps in the market and gaps in PUffin books
eg Fantasy
Books that will appeal to both boys and girls
animal and child stories like those of MIchael Morpurgo and Dick King Smith
Humour for girls
Louise Rennison type books
She also mentioned Cathy Cassidy and my own Amy Green books (very kindly)

Paddy again: There is no difference between literary and commercial books to me – if they are good that’s all that matters.
We have 80 submissions at the moment – and some have potential.
We want well written, original books with an original voice, a sense of control, a sense that the author knows what they are doing, a sense of authority.

Puffin Ireland’s first book will be by Laura Cassidy – to be published in 2010 or 2011 – and it’s a teen book for girls with an unusual premise.

Puffin Ireland want a cover letter, 3 chapters and a synopsis

It will take 2 to 3 months for them to get back to you and at present they do not acknowledge receipt of manuscripts although this may change.

They give priority to work sent in by agents.

Submission details are on www.penguin.ie

More on Little Island as soon as I get a chance.

YOurs in writing,
SarahX

I will do a full report on the evening next week – but for now – the main points – ie what they are all looking for. Which is what everyone really wants to know!

Paddy – Puffin Ireland: Wants 7 to 9 fiction
but especially 8 to 12 fiction
She says ‘read Puffin books’ and see where the gaps in the list are – and try to fill the gaps!
she wants – animal and child stories like Charlotte’s Web
Humour for girls – Louise Rennison type books (she kindly mentioned my own Amy Green books as the type of thing she is looking for)
Fantasy
The books must be ‘well written, original ideas and voice, with a real sense of control’ – she wants to feel that the author knows what she (or he) is doing – a sense of authority
She has 80 submissions at the moment to go through, but is very keen on reading more manuscripts from new authors – all good news!

Siobhan – Little Islands: is looking for novels for age 9+ and teen novels
she is not a huge fantasty fan herself – she likes realistic novels
she wants – ‘originality, a strong voice, someone who is in control of their writing’

Svetlana – agent: is a big fan of fantasy and finds this sells best to international publishers
she as likes teenage/crossover fiction
universal stories are vital – and she is most interested in books that can travel

To find out more see: www.puffin.ie
or email siobhan at siobhan.parkinson@newisland.ie

Oh and I told people to read children’s books to get an idea of what works, and many other things – but I’ll type up my notes and publish them here asap.

I have a barby to cater for now – 30 of Ben’s work gang – and it’s pouring rain – oops!

Have a good weekend,

SarahXXX

How to promote and market you newly published book

These are the notes from a talk I gave at the Paths to Publication Conference run by Children’s Books Ireland in association with the Society of Children’s Authors and Illustrators, Sept 2009.

Firstly I gave a brief introduction – detailing my work as a writer and a children’s bookseller (15 years and counting!).

Then I continued . . .

All successful children’s writers work extremely hard and are passionate about their books and about their writing career. If they intend to stay writing, they will do whatever it takes. If that means doing publicity, even if it means telling people what they had for breakfast, they will do it.

The good news is that every writer can do a lot to market and promote their own book.

The secret – and yes, there is a secret – but like most things it’s this – hard work, being organised and determined – a lot of work can be done behind the scenes months before your book reaches the bookshop shelves.

When I started out in books, I had no experience in marketing or publicity – I just used my head – so what I did, you can do too.

But before that some general points.

First things first – don’t worry about any of this unless you have written a book worth promoting. Put your time and energy into the writing first and foremost.

Also – publicity and marketing are 2 different things. Now, I don’t have any marketing qualifications so these points are in my own words and probably not very ‘scientific’.

The way I see it, marketing means promoting your book to the market and in the marketplace – ie the shops. It means getting information about your book to the relevant children’s buyers and booksellers, backing up that information with display material – such as posters and bookmarks. And keeping the bookshops informed of any publicity you have lined up for the book.

In general, your publisher should be on top of the marketing – but if they don’t intend to do posters or bookmarks – say for example they are small, your book is self published or published in England (this is directed at Irish authors of course!) – and few books get much marketing spend – think about doing it yourself. And dropping postcards/posters/bookmarks in yourself to your local libraries, bookshops and schools.

Think of investing in business cards, stickers, thank you cards – useful things are good – keyrings maybe?

Yes, it costs money. But think of it as money invested in your future as a writer.

The more booksellers know about your book the better chance it has of being recommended, restocked, put on a table, put in promotions. But there is a fine line between being pushy and helpful. Never be pushy, never be arrogant. Treat booksellers like royalty – they are the ones who put your books on the shelves and into parents and childrens’ hands.

If your book is not on the shelf, it is nothing personal. See it as your problem. Send them some information on your book – or even a copy of the book with a friendly covering note saying you are a local author and would be delighted to see your book on their shelves.

Always check with your publishers before calling into bookshops and talking to booksellers. They may like to ask your sales rep to go along and intro you. They may like to use it as a sales opportunity. Work with your publisher.

But remember – no one cares as much about your book as you do. Be passionate and talk about your book with enthusiasm – and as Patrick Ness would say, joy!

And no bookseller wants to hear you grumble about how little your publisher does to promote you – get on with it yourself (and over yourself) – take control.

But one thing I’ll come back to time and time again – be prepared to work hard and do things yourself. Do not leave everything to your publisher. They have a lot of books to market and promote. Your book is your baby. Once your book is published, your journey is just beginning.

There are over 8,000 children’s books published every year. If you want to make your book stand out, and especially if you want to be a career writer – someone who earns their living from writing or part of their living from writing, then you must do all you can to promote your book.

The reality is it is not enough to just write a book and sit back and see what happens. You also have to connect with children, with booksellers, with librarians, with teachers, with parents – with anyone who buys books. You need to make them aware that your book is a/ in the shops now and b/worth buying.

Looks do not matter – you don not have to be a supermodel – but personality and professionalism do.

Above all, be yourself. Maybe a glittery, happy version of yourself – but still yourself. I call it being on – be the person you’d be at a party, or at a job interview. And think about the image you are projecting – if you write horror, don’t look like an accountan.
Some good black shirts are a good investment. You could go so far as having a signature style – Terry Prachett has his hats, Jackie Wilson has her silver jewellery.
Think about what you are wearing when visiting bookshops/schools/going to children’s book conferences – I’m looking around this room and I don’t see anyone here that screams out interesting science fiction writer; quirky, fun teen romance writer; playful, arty illustrator.

And get involved with your own publicity – but keep your publisher informed of what you intend to do. It can be daunting at the beginning – but having a plan makes everything easier.

Publishers are only too delighted to have help – well organised, professional, well planned help – talk to them about how you can help.

Publicity – means using the media to tell people about your book – print, radio, telly.

4 to 6 months before your book is published – set up a meeting with the publicity person in the publishing house (if possible) and bring a list of possible publicity angles – I’ll talk about angles in a few minutes – and any media contacts you might have.

Think of it like planning a wedding.

In a moment I’m going to fly through the different stages of an ideal publicity plan.

But first – my first book – for my first book I started local. Everyone can do this!

Kids Can Cook – I had no profile at all

I rang Southside news and wrote a piece on cooking with children for them.

My church newsletter – I wrote a piece for them.
I also did a piece for my sailing club newsletter.

The Evening Herald did a piece on me – the first cookbook for children in Ireland – I friend of mine worked in the herald and she set this up. I had an angle – Dublin single mum gets kids cooking.

I did a lot of school events – during the children’s book festival – that my publisher set up and that I set up – I also did some CBI events – I basically told them what I did – cookery sessions with children- and they booked me in to schools.
Because it was something different, they really liked this. And I did several special needs schools also. Also library events

That book is still in print 10 years on and has sold thousands of copies. And it’s still selling.

If I was bringing out a first book now I would certainly use the internet to reach readers – see below for details.

For Amy Green, my latest children’s book, the publicity plans were a lot more elaborate – Walker Books made a special Amy Green website, and did some super posters and hand outs, but I still did some of the publicity myself.

Here is a what I call the ideal publicity plan – with all bases covered. If you can do some of this – great! I hope it will make you think and consider the possibilities. It is not meant to scare you, just to point out what can be done . . .

4 months before publication

Meet the pr person in your publishing house
Draw up your pr plan with the pr person

Set up your website – I would advise every children’s writer to get a website – and put the details of the website in your book so readers can contact you and also teachers and librarians can contact you.

Consider setting up a Facebook page, or a Bebo page, or Twitter or My Space – whatever suits you and your book best.

If you do not want people to know too much about you, invent a writing persona – and invent things to tell your readers – but be consistent.
But you must connect with people online these days. Especially if you want an international career.

3 months before publication

Submit feature ideas to magazines
Now this many take months, years to get anything taken – but keep at it – once you have one piece published, it is so much easier.
Are there any specialist magazines you subscribe to – try submitting an article to them – a great place to start. Or internet magazines/newsletters – again, good experience.

You could offer to review for Inis magazine (specialist Irish children’s book mag) – which is how I started reviewing – for free of course – but I got a/ experience and b/ some lovely books!

2 months before publication

Submit feature ideas to the magazines of newspapers

Set up your book launch if you would like to have one (organise your own in a local bookshop or venue – and yes, you may have to pay for the wine!)

Set up some school and library events – use your contacts – your child’s school etc
But make the events interesting – don’t just expect to go in and read to them. I spend about 3 weeks a year working on content for talks, workshops and readings and making it fresh and exciting. Work at it! Practice! Watch other authors in action and pick up ideas.
Once these events are fixed – send the details to the listings of the newspapers and also local newspapers.

And on that subject – network – go to children’s book events, join CBI, join the Society of Children’s Writers and Ilustrators.

Read Mag from CBI’s the hungry caterpillar blog; read David Maybury’s blog – full of good info. And UK and Americian blogs.

1 month before publication

Submit ideas to the features pages of newspapers – yes, you need to come up with these ideas yourself – depending on you and your life/book

Think of column ideas for guest columns (Realistically – this will be down the line when you have some experience of writing articles etc)

Write your press release (your publisher will probably do this for you – ask them for advice)

3 weeks before publication

Send out the invites to the launch

2 weeks before publication

Send out review copies of your book to relevant newspapers and magazines – eg Inis, Book Fest etc (your publisher may do this – check with them), the irish indo, the irish times.

Set up radio interviews – using your press release (again, your pr person may do this)
Don’t forget local radio – a great place to start – east coast for eg. Send a book and a press release and then ring them politely – with the blessing of your publishers of course. Local radio stations love local authors! You could do a competition and give away copies of your book.

After Publication

Start your school events and library events

Send out press release to newspapers (your pr person may do this – check with them)

If you have any news stories – this is the time to use them – advances, film deals, winning competitions, your dog winning a dog show (for the local papers!)

Angles

An ‘Angle’ – something that makes you stand out as a person for pr purposes.

Some of the ones I’ve used:

Single mum
Parent of teens and toddlers at the same time
Partner of a hopeful Olympic sailor

Other people’s angles:
Teacher – Eoin Colfer
Librarian – Patricia Scanlan
Movie geek and ex screen writer – Derek Landy

Anything that makes you different is good – and that you are prepared to talk about!

Everyone has something -
Do you keep bees?
Can you shoe a horse?
Do you dive? Travel a lot?
If so, you can write about it

Finally, I hope I’ve given you some ideas to think about.
You put 100% into writing your book – so why not put 100% into doing the best you can to promote that book? It deserves it. Writing for children, getting published and visiting and meeting young readers are rewarding and joyful experiences – and worth fighting lions and sweating blood for. I wish you all the best of luck with your own journey to publication.

Good luck!

Sarah XXX