My Predictions for the Children's Books Ireland Awards 2015

In March the shortlist for the Children's Books Ireland (CBI) Book of the Year Awards will be announced. Over the last few years I've put together my predictions for the shortlist. (Purely my own opinion. I am on the CBI Board but not on the judging panel.) You can see the predictions for last year here and the previous year here. The shortlist is for books published in 2014 and covers all age groups and all genres (fiction only). It includes books published in the Irish language. The writers/illustrators must be Irish or resident in Ireland.

2014 was an interesting year for children's books, with some stand out YA novels (young adult) in particular.

So here's my list. See if you agree with my choices - I'd be interested to know what you think. There are usually 8 to 10 books on the list. All the categories are not always awarded - eg Special Judge's Award.

louise oneill

CBI Book of the Year Award 2014

I would like to see Louise O'Neill win this award for her stunning YA novel, Only Ever Yours. However it may not as it tends to divide opinion. I think it's brave, original and still has people talking about its characters and plot over six months after its publication.

 Eilís Dillon Award (first book)

Again, Louise O'Neill. It has happened before. In 2011 (awarded for a book published in 2010), Chris Haughton won both for A Bit Lost. Kim Hood could also be a contender for this award for Finding a Voice. It will depend on the judge's preferences.

shh we have

 Honour Award for Illustration

For me this is a toss up between Chris Haughton for Shh! We Have a Plan, a glorious picture book with glowing illustrations and Oliver Jeffers' clever and beautifully produced Once Upon an Alphabet. I'll go with Chris.

 Honour Award for Fiction

sarah crossan book cover

I'm not sure about this award as it makes no sense to award Louise O'Neill the overall prize but not to give her this one also. Unless this prize is for the second best novel. If it's for the best, then Louise O'Neill. If it's for the second best, then for me Apple and Rain by Sarah Crossan and The Apple Tart of Hope by Sarah Moore Fitzgerald stand out. I still can't understand why Sarah's first book was not shortlisted last year. Back to Blackbrick is a great YA novel. 

 Judge's Special Award

This is not awarded every year - and I'm not sure it will be this year, unless Oliver Jeffers' Alphabet qualifies. Of course being completely biased (as I edited it), I'd love to see Beyond the Stars shortlisted. But as it's a collection of 12 stories and 12 illustrations, all by different creatives, it may not fit the award criteria. We shall see.

Shortlisted Titles

Other titles I believe deserve to be on the shortlist are:

yasmeen image 1

Specs for Rex by Yasmeen Ismail 

A fun, fresh book with wonderfully lively illustrations and colours that sing.

Brilliant by Roddy Doyle, illustrated by Chris Judge

A book with a lot of heart with astoundingly good illustrations by Chris Judge. I'd shortlist it for them alone, but together they make a cracking team.

City of Fate by Nicola Pierce

If the judges like historical fiction, they may shortlist this strong novel about the Battle of Stalingrad.

I've already mentioned Apple and Rain and The Apple Tart of Hope on the YA end of things, but I'd also add Mr Dog Bites by Brian Conaghan, a moving with some of the best teen dialogue I've ever read in an 'Irish' YA novel (Brian lives in Ireland).

Other possible contenders:

The Fish in the Bathtub by Eoin Colfer

Skulduggery Pleasant: The Dying of the Light by Derek Landy

The Black North by Nigel McDowell

Irish language:

Pop! by Andrew Whitson and Caitríona Nic Sheáin

Songbird Cafe_Mollie final cover

Watch out for my new book, The Songbird Cafe: Mollie Cinnamon is Not a Cupcake which will be published in March by Walker Books. 

Feminism and Education for Girls

FEMINISM What does it mean?

And what does it mean to me? Am I a feminist?

I have an eleven year old daughter. She’s into art and sport and loves Girl Guides. She works hard at school and likes it, even if she complains about the amount of homework she has to do. She wants to attend college and become a dentist.

I was in the car with her recently and a piece came on the radio about Malala. She asked me why Malala wasn’t allowed to go to school. I explained to her that in some countries girls and boys are not treated equally. I told her that there are 66 million ‘Malalas’ around the world, all denied an education just because they are girls.

Why? She asked.

Why indeed?

malala pen

In October 2012 in Pakistan, Malala was shot in the face by a Taliban gunman for daring to say that girls should have equal right to an education. She narrowly survived and was awarded the Nobel Prize for Peace in 2014 for her bravery. She says ‘We cannot succeed when half of us are held back.’

My friend, Elizabeth (a children’s writer) is working in a school in Cambodia at the moment. She says ‘I'm currently seeing at first hand the lack of choices and the pressures on girls and women in a developing country. They are fighting a patriarchal society and arranged marriages, low social expectations and other problems. I know girls who get up at 3am to study before their lessons (7.30am to 7.30pm). It is slowly changing but the sad thing is, currently, even with all that education, there are few jobs available because the higher positions are reserved for men.’

So where does feminism come into it? Here’s the science bit. The definition of feminism is this: a collection of movements and ideologies that share a common stated aim, to define, establish, and defend equal political, economic, cultural, and social rights for women. This includes seeking to establish equal opportunities for women in education and employment.

Equal opportunities for women in education and employment.

This is important – EQUAL OPPORTUNITIES.

Many people think we don’t ‘need’ feminism anymore, that feminists are women who don’t like men or boys in some way. That is so wrong. Feminists are people who believe that girls and boys should be treated EQUALLY. It’s as simple as that.

We are lucky in Ireland and the UK. Girls have the right to an education.  But girls in other countries are not so lucky.

I am absolutely 100% a feminist. I believe my daughter and my sons should be treated equally. If my daughter wants to be a dentist, I’ll do everything in my power to help her get there.

What else does feminism mean to me? It means doing everything I can to ensure that ALL girls are treated equally, not just my own daughter. It means being kind and supportive to girls and women, helping them when I can, mentoring them. It means drawing attention to the inequalities that girls and woman face around the world.

In short, it means supporting women and girls in my own community, my own country and in the wider world.

Do you believe in equal rights for girls? Do you believe that all girls should have the right to an education?

Then like me, you’re a feminist. Good for you!

I’ll leave you with this fun video about being yourself and enjoying sport. It’s called This Girl Can.

http://www.youtube.com/watch?v=aN7lt0CYwHg

Yours in books,

Sarah XXX

This blog first appeared on www.girlsheartbooks.com

To find out more about Malala's story, read her book:

Malala's Book

A Day in the Life - the CBI Conference and Thoughts for Writers

Right, because I love you all and I know many of you could not make the Children’s Books Ireland Conference today in the Lexicon Library in Dun Laoghaire, here are some notes and thoughts on the day. The title was: A Day in the Life

Eoin Colfer

Eoin Colfer and Friends

Eoin Colfer kicked off the proceedings in a lively manner with a funny and thought provoking talk about writing, his love of Ireland, how ‘place’ informs writers’ books and how his Laureate-ship is shaping up so far.

On writing he said: ‘It starts with character for me. My criminal mastermind, Artemis is based on my brother, Donal.’

‘People often say don’t write a local story. I think write a local story with universal themes.’

He said for him, having a new book out never gets old and he never takes it for granted:

‘It’s amazing to be published – to hold a new book in your hands – it’s always fantastic. Whatever else happens in your life, you’ll always have that.’

His aim with the Laureate events is to visit ‘tiny schools on remote islands who don’t normally get author visits… As a child I didn’t realise that writers were real people.’

He said: ‘Reaching that one kid, planting the seed of story in their head, that’s what the Laureate’s all about.’

On why Irish people are such good storytellers and writers:

Eoin explained that it’s in our blood. We grow up hearing stories.

‘Myths and legends are on the curriculum in Ireland. I was surprised to find this wasn’t the case in other countries.’

Alan Nolan

Next up was Alan Nolan who talked about the books he had written and the comics that had influenced him as a child.

‘The way to get children reading is to get them hooked on a series,’ he said. His job as Illustrator in Residence in the Church of Ireland College of Education is to ‘remind trainee teachers how much fun children’s books are.’

Monster Doodle

During lunch there was a wonderful Monster Doodle for adults – where everyone got stuck in.

Sarah Crossan

Sarah Crossan

Next up was Sarah Crossan in conversation with the wonderful Colm Keegan, Writer in Residence at dlr Libraries.

She spoke passionately about engaging teens with poetry and why she writes novels in verse for teens. Her new novel in verse, One (and not Won as she pointed out) will be published in August and is about conjoined twins. It sounds great.

Next up where the New Writers – many new writers took to the stage to share their books with the audience in 5 minute sessions.

This was an interesting insight into the way people approached being asked to do this. Some gave some background to the book, others gave a straight reading without any intro. The ones that worked the best I think did a little of both. The ones that stood out for me were Dave Rudden who is an excellent reader of his own work and gave a short intro which set the scene well and Moira Fowley-Doyle. She read with a lot of passion and it’s my kind of book – a family/friendship drama with a clever and fresh premise. It’s called The Accident Season and it’s about a family who for one month a year are horribly and tragically accident prone. She read the perfect section (from the start of the book so it didn’t need an intro) and I really enjoyed her reading.

Don’t get me wrong, I enjoyed them all (other writers included Patricia Forde, Kim Hood, Shane Hegarty and a lovely picture book guy), but it did make me ponder the importance of professional development for writers and how new writers need help preparing for readings and events. I am going to write a series of blogs on events/readings and how to write and deliver them when I get a chance as I think it might be helpful to newer writers.

I was a nervous wreck when I started out doing events! I love doing them now, as long as I am well prepared. You can throw me in front of any age group from babies and toddlers to teens and I'll have something to say, but it wasn't always the case. It's taken me years to be confident in front of an audience. I would have loved to shadow a writer before I started doing events. And I would have loved some guidance on how to put a good talk together. So I'll share what I can soon, I promise!

I'll also post some publicity and marketing tips and interviews with publishing pr people this year - remind me if I forget!

Julia Eccleshare

Julia Eccleshare

Finally after a very nice coffee break – with biscuits – was the inspiring Julia Eccleshare, Children’s Books Editor for the Guardian. I thought she was FANTASTIC and spoke such sense. Of course, she did say that writers made extra-good reviewers as they understood things like a writer’s intent and theme, so I may be slightly biased.

She spoke lyrically about her job – how she has to sift through over 10k children’s books a year to select the 45 books she can review in the Guardian.

She is passionate about books and stories. She said ‘I never go anywhere without thinking about a story.’

And ‘Everything in my life is coloured by the stories I read.’

She explained how these days writers have to be advocates for their books. Gone are the days where you could write a book and sit back on your laurels. You have to get out there and do events. ‘You cannot sit at home and be shy.’

She told us how JK Rowling’s books were game changers – how after the Harry Potter series, children’s books became cool and people started talking about stories and children’s books like never before. She mentioned Philip Pullman winning the overall Whitbread Award with The Amber Spyglass and quoted him: ‘Children’s books are the home of the story.’

She spoke about the importance of children’s books: ‘Children learn things from children’s books that their parents don’t want them to know… There is no serendipity for children anymore. They are the most watched children ever. How do they learn that things go wrong (if they are always being watched)?’

Books help them explore dangerous worlds and allow them have adventures and decide what kind of people they would like to be, she explained.

It was a wonderful talk and she’s a powerhouse.

The day ended with a drinks reception where I talked to Julia and many writers and readers and ate some very fine finger food.

So ended the CBI Day – thanks to all the speakers, to Marian Keyes who provided the wonderful venue and to the girls at CBI, Elaina, Jenny and Aoife for a cracking event.

Yours in books,

Sarah XXX

PS If you read my blog and find it useful, do let me know via the comments or on Facebook or Twitter. :)

sarah crossan book cover

Spring 2016 Children's and Teen Highlights

This piece originally appeared in the Sunday Independent. This year looks all set to be a stellar one for children’s books and Irish YA in particular will blaze a trail in 2016. There are new titles from ‘brand names’ such as Julia Donaldson, Eoin Colfer and Derek Landy, plenty of interesting debuts, and some intriguing books from ‘grown up’ bestsellers, Cecelia Ahern and Sheila O’Flanagan.

crystal run

The current Children’s Laureate, Eoin Colfer’s Ironman novel for children is due in the autumn from Marvel. According to Colfer, the billionaire playboy Tony Stark is all set to get the ‘Dublin treatment’. Penguin Random House Children’s lead title this spring is Dave Rudden’s The Knights of the Borrowed Dark (March), the first in a trilogy featuring Denizen Hardwick, a boy who doesn't believe in magic until he's ambushed by a monster created from shadows.

HarperCollins is very excited about Cecelia Ahern’s  debut YA (Young Adult) novel, Flawed, set in a society where perfection is everything (March); and Hachette is publishing Sheila O’Flanagan’s fantasy debut for age 10+, The Crystal Run (May). Gill and Macmillan has their first YA novel ever in April, from a writer who is only a teenager herself, sixteen-year-old Eilís Barrett. Her book, Oasis is set in the future and follows a group of teen outcasts turned freedom fighters.

needlework

Little Island, the children’s answer to Tramp Press, has been making waves with their strong fiction list, and 2016 is no exception. First up in February is Needlework by Deirdre Sullivan for young adult and adult readers, a novel about child abuse and its aftermath which I read in one sitting. It’s not an easy read for obvious reasons, but like Louise O’Neill’s Asking for It, it’s an important and beautifully written book.

Also from Little Island for older teen readers is Anna Seidl’s No Heros (March), the story of a school shooting and its aftermath, a publishing sensation in its native Germany; and in May they launch The Best Medicine by Belfast woman, Christine Hamill. Twelve-year-old Philip’s mum has breast cancer and he writes to Harry Hill for advice.

Kim Hood’s debut YA novel, Finding a Voice was shortlisted for the prestigious YA Book Prize in the UK last year and her second novel, Plain Jane is out in April from O’Brien Press. The story of a sixteen-year-old girl whose sister has cancer, it’s one I’m particularly looking forward to as I love her fresh, vibrant writing voice.

The Square Root of Summer by Harriet Reuter Hapgood (Macmillan, May) follows 17-year-old physics prodigy Gottie Oppenheimer as she navigates a summer of both grief and rips in the space-time continuum; and The Girl in the Blue Coat by Monica Hesse (Macmillan, April) is a World War II story set in Amsterdam about a young woman who gets involved with the resistance.

Puffin Ireland Editor, Claire Hennessy’s YA novel, Nothing Tastes as Good is published by Hot Key in July and is already creating quite a stir. Annabel is a recently deceased anorexic teen who finds herself assigned as a ghostly 'helper' to Julia, another girl with an eating problem. Brian Conaghan’s The Bombs That Brought Us Together (Bloomsbury, April), dealing with terrorism and war, also sounds promising; and Derek Landy is back with the second book in his Demon Road fantasy-horror trilogy, Desolation (HarperCollins).

darkmouth 3

For readers of age 9+, there’s book three of Shane Hegarty’s Darkmouth series, Chaos Descends (HarperCollins, April);  and the latest novel by Brian Gallagher (O’Brien Press, April) called Arrivals, about a Canadian murder mystery in 1928. Ger Siggins is back with another book in his popular sport series, Rugby Flyer (O’Brien Press, February); and Matt Griffin tackles a war between the humans and the ancient fairy race in Stormweaver (O’Brien Press, April).

It’s great to see Cork man, Kieran Crowley back with The Mighty Dynamo (Macmillan, May), about a boy who dreams of being a professional footballer;      and I’m currently reading the exquisitely written Anna and the Swallow Man by New York based actor and writer, Gavriel Savit (Penguin Random House Children’s, 28th January), set during World War II.

And finally for this age group, the outstanding American writer, Kate DiCamillo returns with Raymie Nightingale, a novel about three girls and a friendship that will change their lives (Walker Books).

Poolbeg will add Maebh Banrion na Troda (February) and Sceal Naomh Padraig  (March) to their Nutshell library for younger readers; and the ultimate staying-between-the-lines challenge has to be the Where’s Wally? Colouring Book coming from Walker Books in June.

Sarah Bowie’s picture book, Let’s See Ireland (O’Brien Press, April) has striking artwork; and finally Julia Donaldson’s Detective Dog, illustrated by Sara Ogilvie (Macmillan, June) about Nell, a dog with an extra keen sense of smell sounds just the book to make both children and parents smile.

A Spread from Let's See Ireland

Sarah Webb’s next book for children, The Songbird Cafe Girls: Aurora and the Popcorn Dolphin (Walker Books) will be published in March. 

Aurora Book Cover

She's Making a List, She's Checking It Twice

As it’s Christmas Eve I thought I’d talk about lists. I hope you’ve all sent your wish list to Santa, or Father Christmas as you call him in the UK. I’m from Ireland and he’s Santa around these parts. Top of my Santa list is always books and book tokens. Are you a list maker? I am! I love making lists. Here is my list of the lists I keep:

1/ Favourite movies

I love going to the cinema and I don’t get to go as often as I’d like. My great treat to myself is an afternoon at the cinema – with a friend or by myself – I just love it.

This year I watched 14 different films, mainly at my local cinema in Dun Loaghaire. And I also went to some plays and lots of book events. Hurrah, another list to make for next year – book events.

Here’s the list of movies I watched (at the cinema) in 2014. My lists are scribbled and have rambling notes but I love looking back at them years later.

2015 Movies List

2014 Movies List

2/ Favourite books

This year I read 44 novels (adult and YA) and lots more children’s books for all ages.

Here’s part of the list. As you can see I score my books and movies out of 10. Geeky I know!

Books 2014

Books 2014

3/ Books I’d like to write in the future

That list is secret! It’s full of plans and ideas for future characters and plots. Sometimes the first thing that comes to me is a title or a character’s name and I jot that down on my list.

When I was a teenager to my shame I had a boy list. I listed all the boys I liked and where I’d spotted them. It was very much an aspirational list. I’d never met most of them. Some of them were pop stars or actors. The boys from Duran Duran regularly featured on my boy list – the One Direction of their day.

Duran Duran

Duran Duran

IMG_4917[1]

I have an ongoing to do list on my desk. Here’s one from November. As you can see my Girls Heart Books blog is number one on that list.

Why do I make lists? It helps me make sense of the world and it helps me stay on top of things.

Sometimes life can be overwhelming, especially at busy times like Christmas. Everyone’s rushing around, buying presents, preparing food, getting into a tizzy about Christmas Day - who’s collecting Auntie Mabel , who’s peeling the potatoes? When I’m feeling a little stressed out I sit down and make a list. A shopping list, a to-do list, a list of the people I need to ring. It helps me feel more in control.

It’s OK to feel a bit overwhelmed at Christmas. It can be a noisy, manic, emotional time of the year. I’m not a ‘noisy’ person. I’m a reader and a book lover and a story-girl. I like peace and quiet, I like to be able to think.

If you’re a quiet person like me it’s perfectly normal to need a little time out from the mayhem, a little peace. You might like to:

Read a book

wizard of oz

Watch your favourite old movie – mine is The Wizard of Oz

Write in your diary

Go for a walk

Listen to music

Hug the dog

Hug your mum (I’m a mum and I love random ‘just because’ hugs)

Or maybe, just maybe, make a list like me!

Have a happy, peaceful and book filled Christmas everyone!

Yours in books,

Sarah XXX

This post first appeared on the Girls Heart Books website: www.girlsheartbooks.com

Why Irish Children's Publishing Should Be Supported

I've been thinking about Irish children's publishing this week. After reading Oisin McGann's excellent blog on the subject I decided I too have something to say on the matter. O'Brien Press, our largest and most important children's publishers previously received e63,000 which has been cut in 2015 to e10,000. I have posted some Arts Council funding figures below (which are in the public domain) which may be of interest. The Arts Council should themselves be supported by our government. They do an important job and Sarah Bannan, Head of Literature, fights tirelessly for books. But at the moment we all need to fight for children's books, together. I think  it's vital to support Irish children's publishing for the following reasons:

I grew up (in the 1970s) reading books mainly about British and American children. Yes, there were books by Patricia Lynch and Eilis Dillion and a couple by Walter Macken, but that was pretty much it. When I started writing as a child I populated my own stories with red letter boxes and ginger beer. Modern children are lucky – they see themselves reflected on the pages of their (Irish published) books. Family stories set in Limerick (Judi Curtin), gritty teen novels set in Northern Ireland (Sheena Wilkinson). They learn about Irish history on the pages of Under the Hawthorne Tree. (Children are 22 times more likely to remember a story than fact – and the editors at O’Brien are particularly good at discovering and promoting new historical fiction for children – Nicola Pierce is a wonderful talent who they have nurtured carefully.)

In Irish published books children read dialogue that sounds Irish and all this is reflected in their own writing. I have visited schools all over the country with the excellent Writers in Schools scheme and often they learn to read using Irish published books from the O’Brien Press Panda series. They love the fact that these are Irish books, with an Irish sense of humour, like Danny’s Teeth.

If O’Brien Press is not properly supported, if their hugely knowledgeable editorial staff are not kept on (and I know they have had to make staff cuts in the past), then Irish children will suffer, the future readers and writers of this country.

sally go

I have worked with many different publishing houses over the past twenty years, in Ireland, the UK, the US and further afield and I know from experience how good the team at O’Brien are. Their editorial skills in particular are second to none. They really care about their writers and their books. I publish with them as well as international companies because I believe that Irish children should have access to Irish written, illustrated and published books. My recent book with O’Brien Press, Sally Go Round the Stars, makes traditional Irish nursery and playground rhymes available to a new generation of parents and young children. This book would not have been published by any other publisher. O’Brien Press took a huge risk bringing it out, but it paid off and has been very popular with Irish parents and their young children. 

I believe that the right book in the right child’s hand at the right time can change a life. We need to provide every child in Ireland with access to excellent Irish published books that they can connect with and fall in love with. I for one do not want to live in a country without its own indigenous children’s publishing.

Yours in books,

Sarah

Funding from the  Arts Council for some of the Irish publishers is below.

To look at the Arts Council funding (publishing and other areas of the arts) in more detail see here - a link to the funding area on their website.

Regular Funding 2014 (2015 decisions not yet public)

Carysfort Press

€10,000

Clo Iar Chonnachta-Teo

€70,000

Cois Life Teo

€33,500

Dedalus Press

€77,500

Little Island

€43,500

Salmon Poetry

€40,750

The Gallery Press

€150,000

The Stinging Fly

€53,000

Regularly Funded Organisations 2014 (2015 decisions not yet public)

Lilliput Press

€65,500

New Island Books

€72,000

Annual Programming Grant 2014 (no Programming Grants for 2015)

O'Brien Press

€63,000

(cut to €10,000 for 2015)

Publications Title by Title Scheme 2014

Arlen House

€10,000

Dalkey Archive Press

€14,250

Doire Press

€3,530

Futa Fata

€9,000

Leabhar Breac

€9,000

Mercier Press

€10,000

Tramp Press

€10,000

My Top Ten Novels of the Year - 2014 (Adult and YA)

anne t

It's been a stellar year for YA novels in particular, which is reflected in my list. Although I am biased - I love YA! My picture book of the year was Shh! We Have a Plan by Chris Haughton. This list is YA and adult novels. Watch out for my favourite children's books of the year in the Irish Independent on Saturday (Dec 13th), along with Robert Dunbar's favourites in the Irish Times. I'll post my round up after Saturday. I read 44 (and counting) adult and YA novels in 2014. I scored each book out of ten. All these books below scored an 8 or higher. As you can see, I read a lot of different genres and age groups. (Children's books are not a genre. Each age group is made up of different genres - yep, even board books and picture books, right up to YA (*see Only Ever Yours below).) Top score went to Anne Tyler's A Spool of Blue Thread (out in 2015 - sorry!). I gulped it down. Not the strongest plot, but those characters and her writing . . . bliss.

So in order of scores, here are my top ten novels of 2014. I should point out that I read far more YA and children's novels than adult novels, which is probably reflected in this list.

1/ A Spool of Blue Thread by Anne Tyler (published 2015) A wonderful family drama set in Baltimore (of course). Pretty much perfect. Thanks to Maria from Dubray Books for the proof copy.

glass castle

2/ The Glass Castle by Jeanette Walls (older book)

I listened to this audio book while travelling up and down to West Cork over the summer and fell in love with Jeanette and her family. It's the most compelling memoir I've ever listened to. Her voice is perfect. I highly recommend it in either audio or book form.

a j fink

3/ The Collected Works of A. J. Fikry by Gabrielle Zevin (published 2014)

In a word, adorable. Quirky tale about a bookseller (like me - why may be why I loved it so much) and a baby girl he finds in his shop. Wise and sweet.

4/ The Examined Life by Stephen Grosz (published 2014)

I loved this clever, beautifully written collection of real life stories about unusual lives. Grotz is a practicing psychoanalyst and he writes with a lightness of touch about his patients.

5/ Tiger Eyes by Judy Blume (older book)

Another audio book (I'm passionate about audio books). I'd never read this one and it was such a treat listening to it. Wise, funny, and Blume's voice - is there a better writer for young teens? I think not.

babylon

6/ How Many Miles to Babylon? by Jennifer Johnston (older book)

I'd never read this (to my shame) stunning novel about two boys - one from a Big House, one from the village (who works for the house) - and their friendship, with a World War I setting. It's beautifully written and so moving. Highly recommended.

we were liars

7/ We Were Liars by E Lockhart (published 2014)

Wonderful YA book set on a private island in the US. Her writing (and plotting) are mesmerizing.

8/ Only Ever Yours by Louise O'Neill (published 2014)

Stunning YA debut by a young Clonakilty writer. Feminist dystopia - rather terrifying. Well worth reading. (*YA is the age group, feminist dystopia is the genre)

9/ Lone Wolf by Jodi Picoult (older book)

Picoult is a master story teller and this audio book kept me gripped. Wolves, family problems - what's not to love? I think Picoult is underestimated. One of the hardest working writers around.

kim hood

10/ Finding a Voice by Kim Hood (published 2014)

Drew a tear many times. Another wonderful YA debut. Hood is Canadian but lives in Ireland. Family tale, with some strong themes. Loved it. Great teen voice.

I also loved (all published 2014 apart from Captive):

captive a j

Captive by AJ Grainger (YA - kidnapping drama - coming in Jan 2015)

Unravelling Oliver by Liz Nugent (brilliantly written thriller - with a children's writer as the murderer!)

The Secrets Sisters Keep by Sinead Moriarty (superior popular fiction)

Little Lies by Liane Moriarty (superior Australian popular fiction)

Dear Thing by Julie Cohen (superior UK popular fiction)

memory book

The Memory Book by Rowan Coleman (more brilliant UK popular fiction)

Apple and Rain by Sarah Crossan (great YA family drama)

house where

The Apple Tart of Hope by Sarah Moore Fitzgerald (another brilliant YA novel)

The House Where it Happened by Martina Devlin (compelling ghost story inspired by a real life witch hunt in Northern Ireland in the 18th century)

What were YOUR favourite books of the year?

Yours in books,

Sarah XXX

2015 - Children's Books To Look Forward To

I had a neck injury last week which meant I could only type for short amounts of time. As I have a novel for adults to finish before Christmas this was not the idea situation, although said novel is the very reason I was spending so long every day at my computer. The Catch 22 of a writer’s life. I had to rest my neck at regular intervals. Yes, this does mean I had to lie in bed and for those of you who know me, yes, I was very cranky. I’m not a good patient! However it did mean I got lots and lots of reading done.

Not only did I catch up on books published in 2014, I also read lots of books out in 2015. I’m now pretty much on top of my to-be-read pile for the first time in a year. I have a few yet to be published books to read next (writers looking for feedback) and then my 2014 reading will be complete.

So what goodies should you be looking out for in 2015?

Some Strong YA Titles

captive a j

Captive by AJ Grainger (Jan 29th)

Annalie Grainger is my editor at Walker so I was predisposed to like this one but also worried that I wouldn’t. I needn’t have stressed – it’s super. A smart, gripping thriller about a girl called Robyn Knollys-Green who is the daughter of the British Prime Minister. She’s kidnapped by a radical group but one of her captors is not all that he seems.

Annalie has a wonderful voice and Robyn is a flawed yet highly likable heroine. The moral questions in the book are handled deftly and I flew through this one. 8/10

Vendetta by Catherine Doyle (Jan)

Sophie Gracewell’s life changes forever when a family of five boys moves into a house in her neighbourhood. Her father is in jail and her life is not exactly easy. But it’s about to get even more complicated.

Set in Chicago, this is a compelling romance set in the Mafia underworld. Another strong debut, this time by an Irish author. 8/10

The Art of Being Normal by Lisa Williamson

Another debut, with one of the strongest opening pages I’ve read in a long time:

‘One afternoon, when I was eight years old, my class was told to write about what we wanted to be when we grew up . . . This is what I wrote: I want to be a girl.’

I haven’t finished this one yet, but I love the voice and it’s another gripping read. 8/10 so far

All The Bright Places by Jennifer Niven (Jan)

A wonderful book, funny and heartbreaking and real. The main character, Theodore Finch holds the reader’s attention (and heart) right through the book. I love American YA and this is right up there with John Green and Sarah Dessen. 8/10

Next on the to-be-read pile is:

Still Falling by Sheena Wilkinson (Feb)

I’ve just started this one and I love it so far. Sheena is such a strong writer and her dialogue sings. 8/10 so far

Age 9+ (Middle Grade)

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Darkmouth by Shane Hegarty (29th Jan)

Believe the hype. This fantasy adventure yarn is a stunning debut. The relationship between the young hero (anti-hero in fact as the clumsy lad isn’t exactly equipped to save the world), Finn and his father, a famous Legend (monster) hunter, is touching and real, and I adored Finn’s hard-working dentist mum, one of the funniest characters in the book. There are touches of Ghostbusters in the mix, along with some Bond-like gadgets, plus a rather Dickensian setting (the mist-swirling town of Darkmouth).

It’s for slightly younger readers than Skulduggery Pleasant, there’s more family drama and less horror. Hegarty’s writing has an attractive lightness to it, and now and then his clever life observations make you sit up and take notice. It’s slightly slow to get going as there’s a lot of world-building to do, but I can’t wait to read the second book in the series. With a super cover design and a catchy but simple tag line – ‘They’re coming and only Finn can save us. Shame he’s a bit rubbish’, not to mention a cracking first book, I think those clever folk at HarperCollins have another top brand on their hands. 9/10

The 13-Story Treehouse by Andy Griffiths and Terry Denton (29th Jan)

Andy and Terry live in the world’s best treehouse according to the blurb on the back of this book. And after reading the book, I have to agree.

Already a huge hit in their native Australia (360,000 copies sold), this series will make any Wimpy Kid fan happy with its blend of humor and zany illustration. 7/10

The Astounding Broccoli Boy by Frank Cottrell Boyce (March) is also on the to-be-read pile, along with Sarah Bannan’s adult novel, Weightless (March). I'm also looking forward to reading Phil Earle's Demolition Dad.

Plenty to look forward to in 2015 already!

Yours in books,

Sarah XXX

All About Covers + a Sneak Peek - Songbird Cafe Girls Cover

Songbird Cafe_Mollie final cover

The first book in my new series, The Songbird Cafe Girls: Mollie Cinnamon is Not a Cupcake is out in March next year. Here's a sneak peek of the cover:

The book is about Mollie Cinnamon, who's 12 going on 13. While her tv-presenter mum films a new travel show, Mollie has to stay with her great-granny on a tiny island called Little Bird. Mollie is bored, bored, bored until she starts to make new friends in the Songbird Cafe. But disaster strikes and the Songbird is threatened with closure. Can Mollie and her new friends save the cafe?

Readers often ask how a cover is designed. And do writers have much say in the process? What happens in Walker (all publishers work slightly differently) is this: ideas for a possible cover are sent to me and my agent by the designer and we have a look at the various suggestions and feed back our thoughts. Booksellers are also asked for their opinion, people in the other departments in Walker (editorial, sales and marketing etc), and also the target market (girls age 9+). Then the designer takes all this on board and produces a cover.

The designer who worked on the Mollie Cinnamon is Not a Cupcake cover is called Maria and she's wonderful. It took her a long time to find the right girl for the cover but she's just perfect.

Maria and my editor, Annalie (who has a book out in January called Captive) also commissioned a map for the book. I love maps in books so I'm over the moon about the map of Little Bird, the island where my series is set.

The Map of Little Bird

The Map of Little Bird

Book covers are so important. You've heard the expression 'Never judge a book by its cover'? Readers do exactly that. Judge a book by the cover. The cover has to say so much about a novel: the age group (for children's books), the genre - is it an action/adventure book, a horror novel, or it is about friendship and family (like Mollie Cinnamon) - and it also has to set the tone for the book. It's a very hard thing to get right. But I think Maria has captured my story perfectly.

Do YOU have a favourite book cover? I'd love to know.

Yours in books,

Sarah XXX

This post first appeared on the Girls Heart Books website.

Getting Published - Irish Publishers Tell All

I was at an excellent event at the Dublin Book Festival today and I took some notes just for you. They are particularly relevant if you are writing for children or teenagers. As you may know, it's my area and I love sharing news about the children's book world, especially good news. And there was lots of good news at this event. 

Grainne Clear from Little Island Books

To be accurate I was at the first 1/2 of the event (I had to talk at my own event after that) - Meet the Publishers and Agents with Grainne Clear from Little Island Books, Sarah Davis-Goff from Tramp Press, Nicki Howard from Gill and Macmillan (soon to be just Gill) and Peter O'Connell (ex Liberties and now book pr). Sadly I missed the second part - with the agents.

Grainne Clear gave an excellent talk about the children's book world and Little Island Books in particular. She reads chapter 1 of a submission (and yes, they take unsolicited) and then the start of the next few chapters - to see how the story progresses. If she likes what she reads, she asks to see the whole book.

90% of their sales are printed books (not e books - most young children up to age 12 are not ebook readers).

Her job is not to give you feedback on an early draft - so don't send first drafts or ideas. She wants to see finished books which have been worked on.

She likes honesty and personality in a cover letter.

Nicki Howard, Gill and Macmillan

Nicki explained that Gill and Macmillan publish Irish interest books, mainly non fiction but are NOW ACTIVELY LOOKING FOR CHILDREN'S NON FICTION AND FICTION. This is great news for children's writers. They also accept unsolicited manuscripts.

She said 'publishing adds value to the space between the writer and the reader'.

Sarah Davis-Goff from Tramp Press

Sarah Davis-Goff from Tramp Press is looking for 'stonkingly brilliant fiction', including genre fiction and YA. She also gave a thumbs up to unsolicited manuscripts.

She hates submission letters that begin 'Dear Sir' as Tramp Press is run by two women! Little Island Books also.

All three women said that your cover letter is your calling card and to work on it and make it great.

Interesting facts:

Tramp Books - they would consider a debut novel a success if it sold 2k copies in a year

Gill and Macmillan - would look for at least 5k sales for a title over a year (but some of their books, like the Neven Maguire cook books would sell up to 10k a year, and The Pope's Children by David McWilliams sold 100k)

Little Island - a debut novel would be deemed successful if it sold 1.5k to 2k over a year to 18 months - Grainne mentioned that they are looking for longevity in a title and said award winning novels have a good track record for them in the long term.

Thanks to Grainne, Sarah and Nicki for all the useful information. And great to hear Gill and Macmillan are now looking for children's fiction.

Yours in books,

Sarah XXX

PS I met a young man who is writing for teenagers - I asked him what he liked to read, he said he wasn't a big reader. NEVER SAY THIS TO ANYONE IF YOU ARE INTERESTED IN GETTING PUBLISHED. Poor man, think I gave him a bit of an earful.

PPS If you are serious about getting published, www.writing.ie is a super website - do check it out.

The Book That Changed My Life

Last Saturday I ran a book lunch in Dublin for lots of readers (grown ups, although I do run ones for young readers too). I asked the writers hosting tables at the lunch to think about a book that changed their life.It got me thinking about my own reading history and the books that have made an impact on my life.

busy busy world

The earliest book to make a huge impact was Busy, Busy World by Richard Scarry. I just loved this book. I didn’t travel much as a child – I took my first flight at age 18 – but I travelled in my imagination thanks to this book which takes you all over the world with its wonderful animal characters.

An interior from Busy, Busy World

Enid Blyton’s books were also important to me. I adored the Famous Five series and the first full book I wrote (age 11) was called The Magic Sofa and was about three children who have to go and stay with their horrible aunt for the holidays. It was heavily inspired by the Famous Five books!

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enid blyton

But the book that has made the most lasting impression on me is Are You There, God? It’s Me, Margaret by Judy Blume. When I first read it as a teenager I remember thinking is she really writing about bras, and periods, and kissing boys? Can you really do that in a book? It’s such an honest, open and funny book and I re-read it every year because a/ it’s so wonderful and it makes me laugh out loud and b/ it reminds me what it feels like to be 13.

Judy Blume

This is the edition I had as a young teen - the cover looks a lot different now!

New cover of the same book

When I was a young bookseller in Waterstone’s on Dawson Street, Dublin (a shop that sadly no longer exists) I had the great pleasure of meeting Judy Blume. She did several school events for me and after one of the events we had lunch together, just the two of us. I was a single mother at the time and finding it hard to juggle work and looking after my toddler son. I told her that one day I’d love to write a book. ‘Write for children,’ she told me. ‘They’re the best audience ever. And I think you’d be great at it.’

I took her encouragement to heart. The following year my first children’s book, Kids Can Cook was published, a truly life changing experience. Having a book published was the second most exciting thing that had ever happened to me, after having my son. Twenty years on, I’m still writing. It hasn’t always been an easy journey, I’ve hit some pot holes and speed bumps along the way, but overall it’s a good life, a satisfying, life affirming life. And from time to time I like to look back and to think about all the writers and books that have inspired me along the way.

Is there a book that inspired you or changed your life? I’d love to know.

Yours in writing,

Sarah XXX

This post first appeared on www.girlsheartbooks.com

Beyond the Stars Launch - October 2014

Beyond the Stars Launch

Beyond the Stars Launch - Roddy Doyle and Prize Winner, Emma Brade

The Best Children's Book Agents in Ireland + the UK

Who represents Eoin Colfer? Who helped Derek Landy climb to the top? Who represents Cathy Cassidy? A few years ago I wrote a blog about the best children’s agents – my most popular blog ever. So here is a brand new, updated version. I’d like to pay tribute to Philip Ardagh who posted a question on Facebook recently – ‘Who is your agent and would you recommend them?’ Lots of writers responded (myself included) and it was useful for this blog. Thank you to Philip and all the writers who answered his question.

I’ve had the good luck to work with one of the best agents in the business, the wonderful Philippa Milnes Smith from LAW (details below).

Good luck in finding someone as clever, kind and supportive as Philippa.

So firstly I’m often asked ‘Why do you need an agent? Can’t you just go it alone?’

In Ireland we are lucky to have the O’Brien Press whose editors are happy to read unsolicited manuscripts. You can send your book directly to one of their editors. Details of how to do this are here: http://www.obrien.ie/guidelines.cfm

Little Island (Ireland) will also read unsolicited manuscripts – www.littleisland.ie

Penguin Ireland have just appointed highly experienced writer and teacher, Claire Hennessy as their Children's and YA Editor - Claire will read unsolicited manuscripts and will accept them by email. Submission guidelines here.

But most UK publishers do not accept unsolicited manuscripts so you will need to submit your work through an agent.

 What does an agent do exactly?

1/ An agent can advise you on your manuscript and on how to make it more attractive to a publisher. Some of them will act as unofficial editors to their clients or at the very least can suggest changes or improvements. They are also excellent at coming up with zippy titles as I’ve discovered.

2/ An agent can find the right editor or publisher for your work – like a book matchmaker. And they can sell your UK, US, digital and foreign rights. They can also look after any film or television rights.

3/ Agents deal with the difficult and technical area of contracts. This is particularly important at the moment as digital rights can be tricky.

4/ Financial back up - they can chase up your royalties and talk to your publishers about outstanding monies owed to you.

These days having potential isn’t enough, your manuscript must be as perfect as you can make it before it goes anywhere near a publisher. A good agent can play a vital role in this process.

Who Represents Who?

The Agents Who Represent Some of the Most Successful Irish Children’s Writers (with Contact Details) and Children’s Agents Highly Recommended by UK Writers

 Remember to check each agent’s website for submission guidelines before you send anything out. Or ring the agency for details – I know it’s daunting but they are always happy to advise you on how (or if) to submit. Be warned – you may get the agent herself/himself on the phone. Be prepared.

 Highly Recommended Children’s Agents:

Eoin Colfer is represented by Sophie Hicks. Sophie is a very experienced agent and her writers rate her highly. She has just set up her own agency and is currently taking submissions (2014).

www.sophiehicksagency.com

Derek Landy is represented by Michelle Kass, who also represents Patrick Ness. office@michellekass.co.uk

Darren Shan is represented by Christopher Little For general enquiries please email: info@christopherlittle.net

Sarah Webb and Chris Judge are represented by Philippa Milnes Smith at LAW

Contact: All submissions should be sent, in hard copy, by post to:

LAW, 14 Vernon Street, London, W14 0RJ

www.lawagency.co.uk

Marita Conlon McKenna is represented by Caroline Sheldon www.carolinesheldon.co.uk

Irish Writer, Elizabeth Rose Murray recommends her agent, Sallyanne Sweeney of Mulcahy Associates (London). She says she’s ‘supportive, thorough, creative, knowledgeable & really champions her authors. And she really loves children's/YA literature too - always a bonus!’ She’s also from Dublin originally.

Other Recommended Children’s Agents:

(Check their websites for submission details)

Cathy Cassidy is represented by Darley Anderson.

Julia Churchill at A M Heath

 Eve White, Eve White Literary Agency

Veronique Baxter at David Higham

Catherine Clarke at Felicity Bryan

Robert Kirby at United Agents; Jodie Hodges at United Agents; also Catherine Mary Summerhayes, Jo Unwin and Clare Conville at United Agents

Polly Nolan at Green House

(Polly is from Galway, now based in the UK and is a highly experienced editor as well as an agent.)

Hilary Delamere at The Agency

Lindsey Fraser at Fraser Ross

Gemma Cooper at The Bent Agency

Penny Holroyde at Caroline Sheldon

Elizabeth Roy – www.elizabethroy.co.uk

Laura Cecil – www.lauracecil.co.uk

Madeleine Milburn – www.madeleinemilburn.co.uk

Sam Copeland and Claire Wilson at Rogers Coleridge and White - www.rcwlitagency.com

My Events During October - Dublin, Cork, Limerick

stories are for everyone

This is where I'll be during the Children's Books Ireland celebration of books in October- Stories Are For Everyone:

sally go

Dalkey Library 3rd Oct

Sally Go Round the Stars Nursery Rhyme Fun

The Library Cat Stories (Age 7+)

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Dundrum Library 6th Oct

Sally Go Round the Stars Nursery Rhyme Fun

How I Became A Writer (Age 9+)

-

Cabinteely Library 8th Oct

Crazy Character Workshop (Age 9+)

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Schull Library and Skibbereen Library 14th Oct

How I Became a Writer (Age 9+)

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Cork Library 15th Oct

How I Became a Writer (Age 9+)

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Blackrock Library 22nd Oct

Sally Go Round the Stars Nursery Rhyme Fun

(To book library events - contact the local library hosting the event)

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Bualadh Bos Children's Festival, Limerick 30th Oct (with Oisin McGann)

Booking: www.limetreetheatre.ie

Ask Amy Green Wedding Belles Cover

It's Good to Talk - a Post for Teens

girls making a heart

My son dropped out of college last May. He'd failed his Christmas exams and was pretending to go to lectures for months. Every day he'd get up, shower and leave the house. Every late afternoon he'd come back and I'd ask him how his day went.

'Fine,' he'd say. But I knew something was up. He wasn't himself. He was quiet, withdrawn and didn't want to engage with the family. He just wanted to be left alone.

His summer exams crept nearer and nearer. I went into his room one evening and sat on the side of his bed.

'How's the study going?' I asked him.

'Fine,' he said. But he couldn't meet my eye.

I told him I was sitting there until he talked to me, even if it took all night. He knows how stubborn and determined I can be (I'm a writer after all, you don't get a novel finished without being both, plus a little bit insane, but that's a blog for another day) so he started to open up. He admitted that he hadn't been going to college for months. He told me how much he hated his lectures, how he felt so small, so insignificant. That the classes were so big (nearly 500 in his English lectures) that he hadn't made many friends, that he'd made a mistake, it wasn't the right course for him and he didn't know what to do about it. That he felt he'd let me down.

I was so upset for him that I started to cry. He was pretty close to it himself. I told him I loved him no matter what. That I didn't give two hoots about him failing his exams, I just wanted him to enjoy college, to make friends, and yes, maybe to learn something useful, but most of all to be happy. I told him that I was proud of him for telling me the truth, even if it had taken him a while.

There's nothing my son could do that would make me any less proud of him. He's a wonderfully funny, thoughtful, smart young man. Yes, sometimes he drives me crazy and you should see the state of him room, but right now he's down at the sailing club teaching young children how to sail.

girls talking on step

In the end we sorted things out - he re-applied to a different college - a much smaller college to do a different kind of degree. He is now in first year again and has already made loads of new friends. 

So why am I telling you all this?

Life isn't always easy. Sometimes we hold things inside, we don't tell the people closest to us - our family, our friends - how we really feel. We keep plodding on, hoping things will get better. But sometimes they don't and we need help.

If things are getting on top of you please be brave - reach out and tell someone. As the old BT ad used to say, 'It's good to talk'.

Sarah XXX

This post first appeared on www.girlsheartbooks.com

Writing.ie Book Lunch - With Special Guest, Jennifer Johnston

Writing.ie Book Lunch – An Author at Every Table

In Association with Dubray Books

With Special Guest, Jennifer Johnston

Jennifer Johnston

Venue: Royal St George Yacht Club

Date: Saturday 18th October

Time: 12.00pm until 3.30pm (lunch will be served at 12.30pm)

Cost: e28.50 – includes a three course meal plus tea/coffee

Bookshop on site provided by Dubray Books – all the writers’ books will be in stock

To book: ring Kate at 01 2801811 (places limited, please book quickly)

You can book a whole table for your book club, or come with a friend or individually

To request to be seated with a particular author, please email sarahsamwebb@gmail.com before 10th October and we will do our best to accommodate you

About the Lunch:

Join some of Ireland’s top writers at this exclusive book lunch in the beautiful surroundings of the Royal St George Yacht Club on Dun Laoghaire’s sea front. Talk books and writing with your table host, and hear an after lunch conversation with the award winning novelist, Jennifer Johnston.

This lunch will be presented by Vanessa O’Loughlin from writing.ie and writer, Sarah Webb.

Our Author Hosts:

jennifer j books

Literary powerhouse, Jennifer Johnston (latest novel - A Sixpenny Song); writer and historian, Turtle Bunbury (published in October - The Glorious Madness: Tales of the Irish and the Great War);  bestselling authors, Sheila O’Flanagan (latest novel - If You Were Me) and Emma Hannigan (published in October - The Heart of Winter); author of the critically acclaimed The House When It Happened, Martina Devlin; award-winning author of The Playground, Julia Kelly; historical novelists, Kate Beaufoy (pen name of Kate Thompson, latest novel - Liberty Silk) and Lia Mills (latest novel - Fallen); crime novelists Liz Nugent (debut novel - the muct praised Unravelling Oliver) and Karen Perry (Paul Perry and Karen Gillece – debut novel, The Boy Who Never Was); and finally, TV3 chef, Andrew Rudd (latest book - Entertaining with Andrew Rudd).

www.writing.ie

www.dubray.ie

How To Get Published by Breakthrough YA Author, Louise O’Neill

Louise O'Neill

Louise will be appearing at the Mountains to Sea dlr Book Festival on 13th September (details below)

Upon hearing that I’ve written a novel, some people want to know where I get my ideas from, as if there’s an idea-shop you can just pop in to on your way home from work. Lidl will probably start offering ‘Idee’s’ soon. They’re basically the same thing as ideas but far cheaper.  Others ask about the storyline. ‘It’s a dystopian tale exploring the contemporary obsession with the female body. Think The Handmaid’s Tale for teenagers.’  I answer, watching as every man in a two mile radius backs away. No wonder I’m still single. And then, of course, there are the frustrated writers, lips tightening with barely concealed envy when they hear my good news. I know these people. I was one of them, poring over a newspaper article about some child of fifteen who has sold their first novel for half a million euro, trying to ignore the hatred threatening to suck me under, as greedy as a slurry pit. There is nothing more disheartening than seeing someone else realising your dreams.

So, here are my top tips on how to finally write that novel.

• Read voraciously. Stephen King said ‘If you don’t have time to read, you don’t have the time to write.’ A badly written book will demonstrate what not to do and a well written book will inspire you. Be warned, a masterpiece will merely leave you with a general sense of hopelessness as your novel will never be anywhere as good. I had to take to my bed for a few days after finishing ‘Cloud Atlas’ like a Victorian maiden with a case of the vapours.
• Think of your writing skills as a muscle. The more you use them, the stronger they will become. The thought of completing an entire manuscript can seem so insurmountable we find ourselves unable to take the first step. Set yourself smaller tasks to begin with. Write an article for your local newspaper. Write a short story. Write five hundred words on your first holy communion. Julia Cameron, in her excellent book The Artist’s Way, recommends ‘morning pages’ and I’ve found freehand writing to be an effective tool of unblocking creativity.
• When you do decide to start your novel, make sure you’re passionate about your idea. This might sound obvious but you’ll be working on this project for the next nine to twelve months, or more. There will be days when you hate your book, you hate your brain for generating the original idea and you hate your laptop for having the audacity to record all these stupid words. If you don’t adore the idea at the beginning, you will likely ever reach the end.
• Set yourself a deadline. When I first moved back to Ireland from New York on September 1st, 2011, I decided to take a year out to work on the novel that I had spent the last ten years threatening to write. I finished the first draft on August 31st, 2012.
• I remember phoning my father from New York, complaining that my job in fashion ‘didn’t make my heart sing.’ I know. Oprah has a lot to answer for. He told me if I wanted to write so badly I should take any opportunity that I had to do so. Bring a notebook with you and write on the subway, he advised, unaware that I spent my subway journey gawking surreptitiously at barefoot crack heads or avoiding eye contact with anyone I might feel compelled to offer my seat to. (Apologies to that pregnant lady on crutches. My bad.) Once back in Clonakilty, I made myself sit at my desk from 7am to noon every day, whether I felt like it or not. Some days, the words came. Other days, I sat there, staring at the blank page. It didn’t matter. I still sat at my desk at the same time every day. Of course, I was lucky enough to have parents who provided a room ‘of one’s own’ and, more importantly, a new laptop to put in that room.  I don’t have children or a tyrannical boss or a crippling mortgage to pay and I’m aware that these must feel like truly impossible obstacles. But you owe to yourself to at least try to carve out some time every week that you can use to write.
• Social media, while beneficial for ‘research’, is really only a method of distraction. When asked how one of the authors on his roster managed to maintain such a prolific work rate, Jonny Geller, an agent with Curtis Brown, replied ‘He doesn’t have twitter.’ Until novels come in a 140 character size, it’s not helping you.
• Be prepared to make sacrifices. In my case, the first casualty was an active social life. Jodi Picoult describes writing as ‘successful schizophrenia’ and I found it very difficult at times to interact normally with other people when all I could think about was this world I had created in my head. Personal aesthetic standards also suffered. When I worked in fashion, I didn’t own any items of clothing that could ever be described as ‘practical’. Or, indeed, anyway comfortable. Things are so bad that when I wash my hair, my father asks if I’m going anywhere special and my mother claps her hands in glee, like I’m a toddler learning to use the potty.
• Some authors edit their work as they go along but I saved all my editing for the end, like the crappy pink and brown Roses at the bottom of the tin that no one wants at Christmas. There is a peculiar type of shame in reading ‘Slowly, she walked slowly down the corridor slowly.’ In case you don’t comprehend the subtlety of my brilliance, I was trying to convey that the character was very, very, very slow.
•  Once you finish the first draft, edit, edit and then edit some more. As Faulkner said, ‘...kill all your darlings.’ You’re just showing off anyway. Ask a friend who is an avid reader to take a look at your manuscript. Choose someone you trust to be both honest and gentle with you.
• When you have a finished manuscript in fairly good nick, you need to find an agent. An agent will take a proportion of your earnings (generally around 15%) but they are essential, as most publishing companies don’t accept unsolicited manuscripts. When submitting to an agency, they usually want to see the first three chapters, a covering letter and your CV but check their websites for individual guidelines. Choose an agent that has authors you admire on their roster or who represents authors who are writing in similar genre to you. Make your covering letter engaging. If you’re someone’s love child, now is the time to mention it. Unless it’s someone embarrassing, like Mick Hucknell. Keep that to yourself. Forever.
• Be prepared for rejection and don’t take it personally. JK Rowling famously received twelve rejection letters and I think she’s managing to pay her electricity bill these days. You want your agent to fight for your book when they’re trying to sell it to a publisher. If they don’t ‘get’ it, then they’re not the right agent for you anyway.

Going Too Far? Panel Discussion on YA Fiction with CBI

Venue: dlr Lexicon, Dun Laoghaire, Co Dublin

Date: Sat 13th Sept @ 4.30-6.30pm

Price: e8/e5 students

Age: Students and adults

only ever yours

Booking: www.mountainstosea.ie or 01 2312929

Writing Tips from Award Winning Author, Sheena Wilkinson

Writing Tips from Sheena Wilkinson

Sheena Wilkinson with Elaina Ryan of CBI and Writer, Deirdre Sullivan

See Sheena at the Mountains to Sea Book Festival (details below)

1. Everyone will say the same thing here; that’s because it’s so important. READ. Read everything. Read in your favourite genre and outside it. Read to see how stories work. Read to remind yourself that books are magic, and that you want to create that magic for someone else.
2. Find out what works for you. I faffed around with unfinished novels for years because I kept stopping to edit as I went along, always aiming for that perfect first chapter. For me, it’s better to write to the end of a rough first draft and then go back and redraft, and redraft, and redraft. It’s less work in the long run, and for me having a complete draft, even though it’s rubbishy, gives me a feeling of achievement and something to work on. This seems to work for lots of writers. It may not work for you but it’s worth trying if, like me until about six years ago, you find it hard to get to the end. And the first drafts are getting better.
3. Give yourself goals. It may be that you’ll write for an hour a day, or that you’ll finish a sort story by the end of the month, or that you’ll do a thousand words a day, or 500 or even 100. You can move the goalposts as you get more serious. If I think about the whole project of a novel, I feel a bit gulpy and want to go and lie down, but if I think that I aim to do 6,000 words a week and that means 1,000 words day with a day off, that seems more manageable. I have printed off a geeky calendar so I can waste time filling it in and adding happy/sad faces accordingly. You can get software to do this for you, but why bother, when you can use up hours of writing time colouring in and highlighting?
4. Fall in love. With your book. I can’t get into something and spend a year – or, in the case of my forthcoming novel, 2 ½ years (I took time off to write another book in the middle) – on it unless I love it. So don’t follow the market or write about something because you think you ‘should’: write what you love. It helps to have a bit of  a crush on at least one character. BUT, however in love you are…
5. Don’t be precious! You know how being in love is great, but it can make you a bit blind to someone’s actual qualities? That. So when your editor/agent/writing buddy/mum suggests that something in your book could maybe work better, consider that they might be right. After all, you want them to fall in love with your book too.

Sheena will be appearing on the Going Too Far? Panel Discussion at the Mountains to Sea Book Festival 2014 with debut novelist, Louise O'Neill, David O'Callaghan from Eason, reviewer and writer, Mary Arrigan and reader, Aaron Williams.

A must for anyone interested in writing or reading YA fiction.

Saturday 13th September, Lexicon, Dun Laoghaire (new library) 4.40-6pm

e8 adults/e5 students

5 Things You May Not Know About Writer, Kjartan Poskitt

Kjartan Poskitt in Action

Kjartan Poskitt, creator of the Murderous Maths books and the wonderful Agatha Parrot series will be in Dun Laoghaire next week for the Mountains to Sea Book Festival. Here are some facts you may not know about Kjartan:

1/ He's from Yorkshire but he has an odd accent (or so he says).

2/ He wrote the theme tune for children's art show, SmArt and children's show, Brum.

3/ Most of his books start life written on the edge of a soggy newspaper.

4/ His favourite author is Philip Reeve.

5/ He can play cat and dog noises on a synthesiser.

All absolutely true!

Catch his wonderful Murderous Maths show on Friday 12th September in the Pavilion Theatre, Dun Laoghaire during the Mountains to Sea dlr Book Festival. Age 4th to 6th class  e3 per child  (Limited tickets still available) Log onto www.mountainstosea.ie or ring: 01 2312929 to book

One of Kjartan's Books

5 Things You Might Not Know About Writer, Alan Nolan

5 Things You Might Not Know About Alan Nolan

Alan Nolan

See Alan in Action at the Mountains to Sea dlr Book Festival (details below)

 1. Alan was born with a full head of red hair. It fell out before he was six months old and grew back dark brown. It’s now falling out again!

2. His first comic was called Splat and featured a lazy superhero character called the Bedspread who travelled around in the Bedmobile (a double bed with wheels) and lethargically fought crime in Slug City. The Bedspreads arch-enemy was called Wakey Wakey.

3. Alan loves spiders, caterpillars and beetles (in fact, he loves all ‘creepy crawlies’), but he’s deathly scared of mice and rats.

4. He has read every Charles Dickens novel at least twice. His favourite is A Christmas Carol, which he owns fives copies of – one with illustrations by Arthur Rackham, and one illustrated with puppets made by Fluck & Law of Spitting Image fame.

5. He used to be a huge fan of Star Trek, and has a full Star Trek The Next Generation costume in his wardrobe. Unfortunately, over the years the shirt and waistband of the uniform trousers have ‘shrunk in the wash’.

fintans 15 cover

See Alan in Action at the Mountains to Sea dlr Book Festival

My Favourite Superheroes with Alan Nolan - Comic Book Fun for All the Family

Assembly Room, County Hall, Dun Laoghaire  Saturday September 13th @ 10.30 to 11.30am

e4 per child (age 7+)/e6 per adult  To book: 01 2312929 or www.mountainstosea.ie