Discover Irish Children’s Books at the West Cork Literary Festival

Discover Irish Children’s Books at the West Cork Literary Festival

Elizabeth's Choices

The Girl Who Fell to Earth - Patricia Forde Age 11+

Catfish Rolling - Clara Kumagi Age 15+ and adults

In Between Worlds - Nicola Pierce Age 13+

Black and Irish - Leon Diop & Briana Fitzsimmons Age 13+

The Chestnut Roaster - Eve McDonnell Age 11+

Wild Wonders anthology (various authors and illustrators) Age 7+

Sarah's Choices 

Oh No, George! by Chris Haughton Age 2+

Chirp by Mary Murphy Age 2+

Rabbit and Bear by Julian Gough and Jim Field Age 6+

The Shop of Impossible Ice Creams by Shane Hegarty, illustrated by Jeff Crowther Age 7+

Milly McCarthy series by Leona Forde, illustrated by Karen Harte Age 8+

Frankie's World by Aoife Dooley Age 9+

Evil Duck and the Feather of Fortune by Chris Judge Age 8+

Nina Peanut is Amazing by Sarah Bowie Age 9+

Pablo and Splash by Sheena Dempsey Age 9+

Shane’s Choices

The Golden Hare by Paddy Donnelly Age 4+

Leaflings and Hello Bird by Niamh Sharkey and Owen Churcher Age 5+ and 3+

Stitch by Padraig Kenny Age 9+

The Weather Girls by Sarah Webb Age 9+

The Summer I Robbed a Bank by David O'Doherty Age 9+

The Book of Learning by ER Murray Age 9+

The Sackville Street Caper by Alan Nolan Age 9+

Recommended Poetry Books for Children

Poetry Books - Reading List by Lucinda Jacob & Sarah Webb

Suggested Reading for Adults

A short selection of books about poetry, creativity or teaching writing

 What is Poetry? By Michael Rosen Walker, 2016

 To Rhyme or Not to Rhyme by Sandy Brownjohn, Hodder and Stoughton, 1994

 52 Ways of Looking at a Poem by Ruth Padel, Vintage, 2004

 Real-World Writers: A Handbook for Teaching Writing with 7 – 11 Year Olds by Ross Young and Felicity Ferguson, Routledge, 2021 (Full of practical advice – aimed at teachers)

 Big Magic by Elizabeth Gilbert: Creative Living Beyond Fear

Bloomsbury, 2015 (Not about poetry as such but the best book about creativity and the creative life that I’ve ever read – Sarah)

 How to Write Poems by Joseph Coelho, illustrated by Matt Robertson

Bloomsbury, 2017 (For children but a great starter guide for adults too!)

 Recommended Books for Young Readers

Rhyming or Rhythmic Picture Books

 How to be a Lion by Ed Vere, Doubleday, 2018

 Be Wild, Little One by Olivia Hope, illustrated by Daniel Egnéus, Bloomsbury, 2022

 Poetry Collections for Younger Children

 Here’s a Little Poem: A First Book of Poetry Edited by Jane Yolen with Andrew Fusek Peters, Illustrated by Polly Dunbar, Walker Books 2007

 A Sailor Went to Sea, Sea, Sea: Favourite Rhymes from an Irish Childhood

Edited by Sarah Webb, illustrated by Steve McCarthy, The O’Brien Press

 Poetry Collections Age 8/9+

I am the Wind: Irish Poems for Children Everywhere

Edited by Lucinda Jacob and Sarah Webb, illustrated by Ashwin Chacko, Little Island 2023

 Something Beginning with P

Edited by Seamus Cashman, Illustrated by Corrina Askin and Alan Clarke

O’Brien Press, 2008 (paperback)

I Am the Seed That Grew the Tree: A Nature Poem for Every Day of the Year

Selected by Fiona Waters, illustrated by Frann Preston-Gannon Nosy Crow 2018

 Tiger, Tiger, Burning Bright: An Animal Poem for Every Day of the Year

Selected by Fiona Waters, illustrated by Britta Teckentrup, Nosy Crow 2020

 Poems from a Green and Blue Planet, Selected by Sabrina Mahfouz, illustrated by Aaron Cushley, Hodder, 2019

 A World Full of Poems: Inspiring Poetry for Children, Selected by Sylvia M. Vardell, illustrated by Sonny Ross, Penguin Random House 2020

And Everything Will Be Glad to See You: Poems by Women and Girls, Selected by Emma Risbridger, illustrated by Anna Shepeta Nosy Crow, 2022

A Poem for Every Day of the Year, Edited by Allie Esiri, illustrated by Zanna Goldhawk, Macmillan Children’s Books, 2017

Single Poet Collections

Age 8/9+

 Winter Bees and Other Poems of the Cold By Joyce Sidman, illustrated by Rick Allen, Clarion Books, 2014

 Poetry for Young People By Carl Sandburg (various illustrators

Sterling Juvenile, 2008

 Hopscotch in the Sky by Lucinda Jacob

Little Island, 2017

 Cloud Soup Poems by Kate Wakeling, illustrated by Elina Braslina

The Emma Press, 2021

 Let’s Chase Stars Together: Poems to Lose Yourself In by Matt Goodfellow

Bloomsbury, 2022

 Poetry Comics by Grant Snider

Chronicle Books, 2024

The Weather Girls: Writing Historical Fiction for Children by Sarah Webb

Sarah at Blacksod Lighthouse

I’ve always been fascinated by history and as a child I loved novels set in the past like The Secret Garden by Frances Hodgson Burnett. A few years ago I visited Dublin’s brilliant tenement museum, 14 Henrietta Street and while walking through the rooms, I imagined what it must have been like to live in one of the well-furnished upper floor flats or in one of the damp, dark basement flats.

These families came alive in my mind and gave me the spark to write a children’s book about them, my first historical novel for children, The Little Bee Charmer of Henrietta Street. It took two years of research, a process that I greatly enjoyed, and I loved bringing early 20th century Irish history alive for young readers.

In 2019 I watched RTÉ’s Great Lighthouses of Ireland and first heard the remarkable story of Maureen Flavin and the Blacksod D-Day weather reports, as told on screen by her husband, Blacksod Lighthousekeeper Ted.

I was fascinated. I knew immediately it would make a great story for children but I also knew I’d need to make some changes to the real events to make the plot work.

Maureen was just twenty-one when she gave the D-Day weather reports in 1944 but she didn’t discover the significance of her role until ten years later when workers from the Irish Met Office came to close the Blacksod weather observation station. She married Ted in 1946 and they went on to live in Blacksod lighthouse with their family.

In my book I created a fictional Blacksod lighthouse family, the Devines, inspired by the Sweeny family. I gave it a working title, The Weather Girls, which stuck and is now the actual title. I created a main character, twelve-year-old Grace Devine who lives in the lighthouse with her nine-year-old brother, Dannie, her dad, the Lighthousekeeper and her Mum who she calls Flora (a Scottish woman with a Masters in Engineering), and their two Labradors Lucky and Poppy, named after my own dogs!

As well as the weather reporting for D-Day plot line, I also created a sub-plot. Grace and her best friend, Sibby rescue a young German airman from a burning plane. There are mixed reactions to this in the village, some think they should not have saved him, which creates tension in the plot.

Here’s what I have learned about writing historical fiction for children while researching and writing both The Little Bee Charmer of Henrietta Street and The Weather Girls. I’m now starting research on another historical novel for children and I’m sure I’ll learn even more during that process!

1/ Children are very interested in history if you give them the right story and the right characters. Generally they like when the story is narrated by children their own age or a little older than they are (not an adult).

2/ Don’t presume that children know anything about the period of history in your book. Set the scene and the time carefully from the start.

The Weather Girls is set over five years into World War 2. My editor suggested adding a short introduction at the start of the book explaining the war, the different countries involved on each side and when it had started.

I also added a prologue which is set in 1941. In this scene set in a cinema, the main character, Grace and her best friend, Sibby are in the cinema. They watch a newsreel about the Belfast bombings, foreshadowing incidents later in the book and discuss the war on the way home from the cinema (or picture house as it was known as at the time).

3/ Research! Research! Research!

I cannot emphasise this enough. Do your research. For The Weather Girls I started off by reading a general book about Ireland during ‘The Emergency’ (WW2). Then I read books about other aspects of the era, people’s lives at the time, especially children’s. I watched documentaries and films about the time and read up about D-Day and weather forecasting, plane crashes, Éire signs… all kinds of things.

I used the internet to look things up, making sure to check several sources and a book if possible for definitive facts. I spoke to people who remembered the 1940s about things like school at the time and rationing. I visited Blacksod twice, and was lucky to have Fergus Sweeney, Maureen’s grandson as a guide. He also read an early draft of the book and the historical notes at the end and was really helpful with the details.

The Writing Process

I wrote a quick first draft and then went through it carefully myself several times, reworking scenes and making changes. I worked hard on the friendship dynamic between Grace and Sibby, making sure it was realistic. They have strong personalities and don’t always see eye to eye on things, which makes for an interesting relationship! I was delighted that Marita Conlon-McKenna picked up on this in her review of the book. She said ‘I loved this story of two best friends, Grace and Sibby, caught up in all the excitement and tensions of World War Two. Sarah Webb has not only brilliantly captured life during the Emergency, but the dynamics of friendship between two very different girls.’

Once I was happy that I’d done all I could with the manuscript, I sent it to my editor at The O’Brien Press. She had lots of great editorial suggestions in her structural edit and it was at this stage that I added information at the start of the book to explain World War 2 to children who had not read or heard about it yet. Children study WW2 in 5th and 6th class but before that may not have come across it.

A few more edits and the book was ready for production. The team at The O’Brien Press added a map, illustrations of weather instruments and typeset the manuscript beautifully. With a stunning cover by Charli Vince, five years after first hearing Maureen’s story, The Weather Girls is now ready for its readers!

Sarah Webb is an award-winning Irish children’s writer and creative writing teacher. She is also the Events Manager at Halfway up the Stairs children’s bookshop in Greystones, Co Wicklow. Her books include Blazing a Trail: Irish Women who Changed the World (illustrated by Lauren O’Neill) and I Am the Wind: Irish Poems for Children Everywhere, both winners of Irish Book Awards. Her latest book is The Weather Girls which was inspired by real WW2 events in Ireland.

Méabh McDonnell - Into the Witchwood - Irish Debuts Series

Méabh tell us about your publication journey 

 I started writing Into the Witchwood in 2020 during one of the lockdowns. It was inspired by my daily walks through Kylebrack woods and being back in my childhood home. I started to stare deeply at the trees that I passed and thought about what if the shapes I was seeing in them were magical creatures hidden inside? I’ve always wanted to write for children, but until I got that flash of inspiration I never felt like I was writing a story that was truly mine. The Witchwood felt like a story that really belonged to me. I spent about a year drafting and redrafting it - in between my work as a children’s bookseller in Charlie Byrne’s Bookshop in Galway and once I felt it was ready to be seen by a publisher I submitted it to The O’Brien Press’ annual Pitch Perfect event as a part of Culture Night. After that event they asked to see a manuscript of my book and, much to my delight, they accepted it for publication after a few months.

 Do you have an agent?

I don’t have an agent, because The O’Brien Press accepts unsolicited manuscripts as do some of the other Irish publishers. I feel really grateful that that’s something that they do here.

 What has surprised you about the publication journey?

I was lucky enough to be fairly familiar with the publishing industry, considering my job as a children’s bookseller, but I was surprised by how many people a manuscript passes through before it reaches a reader. I also have been really pleasantly surprised by the goodwill that so many people in the Irish book community have had towards a debut author. We’re so lucky to have such great people involved in our industry who are extremely welcoming to newcomers and willing to answer all of my naive questions!

 What advice would you give people who would like to write a children’s fantasy novel?

The first piece of advice I’d give to someone who would like to write children’s fantasy novels is they should probably read children’s fantasy novels! Reading is such a key part of writing. Read everything from brilliant new Irish fantasies, like Sinéad O’Hart, Alex Dunne and Catherine Doyle, to older international ones like Madeline L’Engle, and Ursula Le Guin. Familiarise yourself with the conventions of the genre and then when you break all of the rules - you’ll be doing it on purpose!

While fantasy stories are steeped in magic and things that ‘aren’t real’  it’s usually used as an opportunity for the author to explore darker feelings and emotions by giving them a physical representation. For example, the Witchwood in my story is a metaphor for grief and the challenges we face growing up.

This means it is vital that the characters themselves come from a real and grounded place.

Because of that I would say you should write the story that you would most like to read. But I don’t mean write the story that you read when you were a child, I mean write a story that makes you excited. If I’m not interested in the characters I’m writing or the setting I’m trying to create - then the reader won’t be either. So write the story that makes you feel like your fingers are falling over each other trying to get it out.

Méabh McDonnell

 Méabh, tell us about your book and your writing process. How long did it take you to write?

It took me about a year to write the novel, on and off at different times. I tend to write in spurts where I intensely write a draft over about six weeks, then revise and change aspects of the story sporadically in the months after that.

 How many drafts did you do?

 I wrote roughly three drafts. One initial one, then I edited that extensively into a second before submitting it. After that I rewrote it into a new  - shorter - draft when the manuscript was accepted. There were also multiple smaller aspects of the story that were redrafted within those three. The beginning was the part of the story that changed the most, but I made significant changes to the characters' plotlines throughout. Most of the time I was editing things out rather than adding them in. I usually write as much detail as I can think of and then cut back and revise later.

 Are you a planner?

 I am a planner - although I try my hardest not to plan so much that there’s no room for inspiration along the way.

 I am a planner because I am also a procrastinator. If I don’t plan my plots then I will allow myself to write go-nowhere chapters where all the characters do is talk and nothing happens. Dialogue and conversations are my favourite things to write so that happens a lot if I don’t have a chapter plan to follow! Planning also stops me from walking away from the story and not finishing it, which is something I have a tendency to do if I don’t know what’s going to happen next.

 That being said, I think a mixture of planning and what writer Mary Watson calls ‘writing into the mist’ is the best way to create a story, as those little moments of inspiration that are unplanned are often the most magical part of the writing process.

 What is your favourite thing about the writing process?

As I said, my favourite thing about the writing process are the surprises that characters and plots hit you with along the way. Not to spoil Into the Witchwood - but there is a plot twist towards the end of the book. But the thing is, I didn’t know about that twist until the moment that I wrote it. It wasn’t a part of my plan, and I think it might be one of the best bits of the story! It just strolled into my mind as an idea and luckily, I was paying enough attention that I decided to use the idea and add it in.

 And your least favourite thing?

My least favourite thing about the writing process is initially sitting down to write! I find it very difficult to convince myself to open up my word processor or notebook and just start working. Once I do that, I’ll stay working for hours, but it’s that initial starting up that is so difficult to convince myself to do. I try to combat it by setting out times for myself to write in the day, so that it doesn’t feel like I’m neglecting it when I’m doing other things.

 What are you working on now?

I’ve got lots of different ideas that I’m working on right now but I’m trying to narrow my focus to just one. The stories that are most interesting to me are the ones that draw on the magic and mythology of familiar places from my childhood in the same way that Into the Witchwood does with Kylebrack Woods.

Into the Witchwood is available from all good bookshops. Buy it here

KPMG Children's Books Ireland Books of the Year 2024 Predictions

 Every year I try to predict the shortlist for the KPMG Children’s Books Ireland Books of the Year shortlist. The 2024 Awards are given to books published in 2023 by Irish writers or illustrators, or those living and working in Ireland. These are based on my reading over the year and are my own personal view. I have read all the titles below and greatly enjoyed them all.

It was an outstanding year for middle grade (age 9+), teen and YA. Here are my predictions:

1/ Catfish Rolling by Clara Kumagai

Also my prediction for the first novel award – Eilís Dillon Award

2/ Standing on One Leg is Hard by Erika McGann and Clive McFarland

3/ The Slug and the Snail by Oein DeBhairduin, illustrated by Olya Anima 

4/ Wider Than the Sea by Serena Molloy

5/ The Silver Road by Sinéad O’Hart

6/ The Girl Who Fell to Earth by Patricia Forde

7/ Global by Eoin Colfer and Andrew Donkin, illustrated by Giovanni Rigano

8/ Freya Harte is Not a Puzzle by Méabh Collins

9/ Grapefruit Moon by Shirley McMillan

10/ Wise Creatures by Deirdre Sullivan

11/ What Walks These Halls by Amy Clarkin

12/ The First Move by Jenny Ireland

13/ Three Tasks for a Dragon by Eoin Colfer, illustrated by P J Lynch

14/ Gods Don’t Cry: Unsung Stories of Ireland’s Forgotten Immortals by Ellen Ryan, illustrated by Conor Merriman

15/ Black and Irish: Legends, Trailblazers and Everyday Heroes by Leon Diop and Briana Fitzsimons, illustrated by Jessica Louis

 Books I’d also love to see on the shortlist:

Kevin’s in a Mood by Sarah Bowie

Milly McCarthy is a Complete Catastrophe by Leona Forde, illustrated by Karen Harte

The Wishkeeper’s Apprentice by Rachel Chivers Khoo, illustrated by Rachel Sanson

Sally in the City of Dreams by Judi Curtin

A Game of Life and Death by Triona Campbell

 There will also be some Irish language books on the list but my Irish isn’t strong enough to review the merits of those titles (yet!).

 Best of luck to all those who published books in 2023!

The shortlist will be announced by CBI on 7th Feb at 11am - watch the shortlisting ceremony here.

The Business of Children's Books - #Properbook Event November 2023

On Thursday 9th November the latest in the #Properbook series of professional development events for children’s writers and illustrators took place. These events are run by Children’s Books Ireland and this one was in association with Dublin Book Festival and dlr Libraries. It took place in the lovely dlr Lexicon in Dún Laoghaire. It was programmed by myself, Sarah Webb.

Here is are some notes from the evening. Thank you to all the speakers for taking part and to the audience who came along on the night.

On the first panel Marie-Louise Fitzpatrick and Mary Murphy spoke about their experiences of sustaining a career as a children’s writer and illustrator.

They shared some figures about children’s authors’ and illustrators’ earnings.

£7k is the average advance payment for a picturebook in the UK at present (this can vary a lot)

The publishing panel talked more about advances, see below. Here are most of Mary’s books - she’s written and/or illustrated a lot of books!

And here are Marie-Louise’s - again there are a lot!

Here are some slides that Mary shared - thank you, Mary!

Next up was the publishing panel, brilliantly chaired by Aoife Murray from Children’s Books Ireland.

The publishers taking part were Ivan O’Brien from The O’Brien Press, Matthew Parkinson-Bennett from Little Island Books and Róisín Adams from Futa Fata.

Here is some of the information shared by this panel in note form. Hope it’s useful!

The O’Brien Press is always looking for new children’s books, inc. from debut writers. Children’s books are around 50% of The O’Brien Press’ list and are very important to the publishing house. In 2023 they published 33 new children’s books (some are new editions). They publish around 10 picturebooks a year and are pretty much full up unti 2025 (but will squeeze in any brilliant books they are offered).

Little Island are looking for ‘the best books that we love the most’. They don’t chase trends they like to change the market rather than follow it. They have been active in seeking out diverse voices.

Futa Fata commission a lot of their books and love working with new writers and illustrators. They are very keen on nurturing new talent in the Irish language world and are esp. looking for short novels for the 5 to 7 age group. They would love to find an Irish language author/illustrator but are open to working with illustrators who do no speak Irish (yet).

You do not need an agent to subit to all three of these publishers. For submission guidelines see here:

O’Brien

Little Island (closed at present but will open again soon)

Futa Fata

Advances and Royalties

Little Island pay an average advance of e1.5k to their author for a book. (It’s an advance against your royalties - so once it’s paid off then you start earning royalties.)

They like to sell foreign language rights where they can.

Futa Fata pay around e1k advance to writers per book (depending on the length of the book). They pay e4k to e7k to illustrators for a picturebook, depending on the amount of illustration work needed and the length of the book.

O’Brien Press - they pay a higher advance for a higher print run

They have sold rights for Fox and Son Tailers by Paddy Donnelly to around 7 or 8 different foreign publishers. They paid out e300,000 in royalties in 2022.

Print Runs

O’Brien - they printed 26k of last year’s World Book Day book. The lowest print run they would do is around 3k copies.

Little Island printed 5k of their new book, Black and Irish. And have just ordered another 3k print run.

Futa Fata print runs are smaller - from 1k to 2k.

All three publishers are devoted to author care and to looking after their authors and illustrators. I’ve published with both O’Brien and Little Island and I can say with confidence that this is 100% the case.

I have published 9 books with O’Brien and I have 2 more coming in 2024. I really enjoy working with them. My latest book, I am the Wind: Irish Poems for Children Everywhere (with Lucinda Jacob and Ashwin Chacko) was published by Little Island and I’ve really enjoyed working with them too.

it was a really interested evening and I learned lots of new information, especially about Irish language publishing. Thank you again to all the speakers and to Children’s Books Ireland, Dublin Book Festival and dlr Libraries.

Good luck with your writing journey!

My latest book - with Lucinda Jacob and Ashwin Chacko

Jenny Ireland on The First Move - Irish Debuts Series

 Over the next few months I’ll be posting interviews with some debut Irish writers or illustrators for children and teens. Here is the second in the series - featuring Jenny Ireland.

If you are a debut Irish children’s writer or illustrator get in touch - I’d love to feature you!

Jenny, tell us about your publication journey

 I started writing in 2014, after the birth of my second child, Rory. I think I went a bit mad from all the sleepless nights and decided that writing children’s stories was a good idea. Then I got completely hooked. I continued to write over the next few years, with no idea of whether or not my writing was any good. When I did the Curtis Brown Writing for Children course in 2017, my tutor, author Catherine Johnson, told me I could write and that gave me the confidence to keep going. From there I entered competitions, submitted my work to agents and attended various writing conferences and workshops. In 2019 I had emergency brain surgery which put the brakes on my writing journey for a while, however in 2020 I entered the Penguin Writenow scheme which pairs writers from underrepresented backgrounds with editors. You only had to enter 1000 words so I fired mine in and was delighted to be chosen. I got a two book deal with Penguin in November 2021.  

 Do you have an agent?

I do! I’m represented by Lauren Gardner at Bell Lomax Moreton. It feels like I have done things a bit backwards. I only got my agent once I was actually working with Penguin on the Writenow scheme.

 What has surprised you about the publication journey?

It surprised me just how many people are involved in the publication of a book. Editors, copy editors, proof readers, a designer for the cover as well as an illustrator and I’m sure a million more people I didn’t even know were involved. It’s a proper team sport. I love that.

 What advice would you give people who would like to write a YA novel?

 I’d say read a lot of YA novels that have come out in the last few years. Join the SCBWI ! I found my critique group through the SCBWI and they’ve been an absolute godsend. The Writing Community on Twitter has also been a huge support, and I’ve even found myself another writing group online, who turned into real life friends.  Sharing work with other people is (IMO) invaluable.

 Jenny, tell us about your book and your writing process. How long did it take you to write? How many drafts? Are you a planner? What is your favourite thing about the writing process? And your least favourite thing?

 My book, The First Move, is a YA romance that follows two protagonists. Juliet and Ronan. Juliet lives with inflammatory arthritis and is ridiculously cynical about love . And Ronan, the new boy at school, who is good-looking, smart and is hiding a huge family secret that he can’t deal with, let alone talk about. Both Juliet and Ronan use Chesslife  ( an online chess app) as a means of escapism. They meet anonymously online, where they form a relationship, which eventually spills over into real life.

I think the first draft took me about six months to write. I can’t actually remember how many drafts came after that but there was definitely a fair amount of back and forth, changing plot lines and building character.

I never plan anything. I wish I did. I have friends who plan, and it looks like a lovely way to write but my brain doesn’t seem to work that way. Apart from the time that I write (5am-7am) it’s all a bit chaotic. I just have a general idea, an idea of the midpoint and a vague idea of the ending before just diving in and seeing where the characters take me.

My favourite thing about the writing process is the first draft, where you can just get it all out and see what it is. I find that part so exciting! My least favourite thing is probably coming up with plot. I love people, with all their various quirks, and could think about characters all day. Plot on the other hand…

 What are you working on now?

At the minute I’m on the second round of edits for my second book, which is another YA romance, this time inspired by my experiences of having an acquired brain injury.

The Best Children's Book Agents 2023 - Recommended by Their Writers and Illustrators

Every year I try to update this post - one of the most popular posts on my blog. I hope it's helpful. If you are a published writer or illustrator and would like to recommend your agent, please contact me. I'd be delighted to add your agent to the list. 

All the agents on this list are recommended by people in the know - their clients, children’s writers and illustrators. Thank you to all the writers and illustrators who have responded to my call out for recommendations over the years. There was a terrific response this year and it is much appreciated.

Irish Publishers (You do not need an agent to submit to Irish publishers)

In Ireland we are lucky to have publishers like The O’Brien Press whose editors are happy to read unsolicited manuscripts. The O’Brien Press are mainly looking for manuscripts from Irish or Irish based writers and illustrators. You can send your book directly to one of their editors. Submission details are on their website and they publish a wide range of picturebooks, fiction and non-fiction for children and young people (and adults in fact), including my books: https://www.obrien.ie/submissions

The team at Little Island are also happy to read unsolicited manuscripts and they publish a wide range of books for children, fiction including verse novels, non fiction and poetry collections (however they do close submissions at certain times of the year so check before sending): https://www.littleisland.ie/pages/getting-published

Gill Books publish some terrific picturebooks, children’s fiction and children’s non-fiction. Venetia Gosling is their new Associate Publisher and she is in charge of the children’s list.:

https://www.gillbooks.ie/write-for-us

HarperCollins Ireland has recently appointed an editor, Catherine Gough who is actively looking for new children’s books. opensubmissions@harpercollins.ie

Website link here

Bonnier Books has also recently appointed an Irish publishing director, Deirdre Nolan

Find out what she’s looking for here

Bonnier website

Deirdre’s Linked in page (in case it’s useful) https://www.linkedin.com/in/deirdre-nolan-a8738257/?originalSubdomain=ie

Mercier and Poolbeg also publish some children’s books and accept unsolicited manuscripts.

Mercier: Submissions can be sent by email to commissioning@mercierpress.ie or by post to Commissioning Editor, Mercier Press, Unit 3B, Oak House, Bessboro Road, Blackrock, Cork, Ireland.

UK Publishers

Most UK publishers do not accept unsolicited manuscripts so you will need to submit your work through an agent.

WHAT DOES AN AGENT DO EXACTLY?

1/ An agent can advise you on your manuscript and on how to make it more attractive to a publisher. Many will act as editors and help improve a manuscript before it is sent out to editors.. They are also excellent at coming up with strong book titles as I’ve discovered.

2/ An agent can find the right editor or publisher for your work – like a book matchmaker. And they can sell your UK, US, digital and foreign rights. They can also look after any film or television rights.

3/ Agents deal with the difficult and technical area of contracts. This is particularly important at the moment as digital rights can be tricky.

4/ Financial back up – they can chase up your royalties and talk to your publishers about outstanding monies owed to you.

These days having potential isn’t enough, your manuscript must be as perfect as you can make it before it goes anywhere near a publisher. A good agent can play a vital role in this process.

WHO REPRESENTS SOME OF THE BEST CHILDREN'S WRITERS?

Remember to check each agent’s website for submission guidelines before you send anything out. Or ring the agency for details – I know it’s daunting but they can advise you on how (or if) to submit. Be warned – you may get the agent herself/himself on the phone. Be prepared.

RECOMMENDED CHILDREN’S AGENTS: IRISH WRITERS

Eoin Colfer is represented by Sophie Hicks. Sophie is a very experienced agent and her writers rate her highly. She also represents Oisín McGann. www.sophiehicksagency.com

Lucy Coats adds ‘Sophie Hicks of SHA is, of course, the best agent in the world! Sympathetic and positive in adversity, great sense of humour and fights her authors’ corner like a tigress on speed. Highly recommended.’

Derek Landy is represented by Michelle Kass, who also represents Patrick Ness. www.michellekass.co.uk

Sarah Webb, Steve McCarthy and Chris Judge are represented by the wonderful Philippa Milnes Smith at The Soho Agency. She is hugely experienced, wise, kind and patient, a joy to work with.

Steve McCarthy says: ‘I'll second that for Philippa! I can attest to her kindness, wise-ness and hilarity.’

Contact: https://thesohoagency.co.uk/submission

Marita Conlon McKenna is represented by Caroline Sheldon www.carolinesheldon.co.uk

Patricia Forde is represented by Anne Clarke. Trish says ‘She is absolutely wonderful and I recommend her wholeheartedly!’
http://anneclarkliteraryagency.moonfruit.com/home/4574290903

Elizabeth Rose Murray recommends her agent, Sallyanne Sweeney of Mulcahy Associates. She says she’s ‘supportive, thorough, creative, knowledgeable & really champions her authors. And she really loves children’s/YA literature too – always a bonus!’

Mary Murphy says ‘I have an amazing agent, Clare Pearson of Eddison Pearson… personal attention, huge understanding of young books, background of editing in Walker. Completely champions her authors and I know some of my books would not see the light of day without her inspirational responses. She attends to each author herself, and so while she is open to submissions, she can only take on the occasional new client.’

Let's hear from some other Irish writers:

Dave Rudden: 'I'm with Clare Wallace at Darley Anderson - can't recommend her enough!'

Clare also represents Olivia Hope.

Shirley McMillan: 'My agent is Jenny Savill at Andrew Nurnberg Associates. She is wonderful.'

Jenny also represents Nigel Quinlan.

Kelly McCaughrain recommends her agent Kirsty McLachlan at Morgan Green Creatives. She says ‘She's so kind, knowledgeable and dependable and my friends are quite jealous about how quickly she gets back to me about anything!’

Sinéad O'Hart is represented by Polly Nolan. Sinéad says: ‘She's an excellent editorial agent, very supportive, and someone I'm glad to have on my team.’

Celine Kiernan says: 'I changed agencies late 2015. I am with Sallyanne Sweeney now, of Mulcahy Literary Agency. Have worked with her on two books now and find her wonderful.'

Aislinn O’Loughlinn says Amber Caraveo at Skylark Agency is a wonder. She says ‘I’d absolutely recommend her to any querying author, she’s so amazingly warm & supportive, with a brilliant editorial brain as well!’

Alison Weatherby recommends her agent Lucy Irvine at PFD Agents

Marianne Gunn O'Connor represents Shane Hegarty and Triona Campbell. Triona says ‘she is just a #warrior when it comes to making dreams come true’

Sue Divin recommends her agent Laura Williams at Greene and Heaton Agency.

Eilish Fisher recommends Joanna Moult at the Skylark Agency. As does Olivia Wakeford.

RECOMMENDED AGENTS - UK AND INTERNATIONAL WRITERS

Hannah Gold recommends Claire Wilson and Sam Copeland from RCW Agency.

Louie Stowell recommends her agent Molly Ker Hawn. ‘She's a fantastic champion, 10/10 would recommend.’

Jay Joseph recommends Becky Bagnell

Meredith Vigh recommends Christabel McKinley at David Higham

Lucy Farfort recommends Ash Literary

Svani Parekh recommends Lydia Silver at DA Children’s Agency As does Rashmi Sirdeshpande

Lizzie Huxley-Jones recommends Abi Fellows at The Good Lit Agency

Leigh-Ann Hewer recommends Maddy Belton at MM Literary Agency

Natasha Holmes recommends Megan Carroll from Watson, Little, Ltd. She says ‘Wonderful editorial input, inclusive, approachable & v witty contributor to any panel event.’

Jennifer Claessen recommends Jenny Savill from Andrew Nurnberg Associates

Frances Stickley recommends her agent Penny Holroyde. She adds ‘I want to keep her secret like a good Cornish beach. But she’s far from secret, she’s the best.’

Ian Eagleton recommends Spring Literary

MG Leonard recommends Kirsty McLachlan at Morgan Green Creatives. She calls her a ‘battle angel’ which is rather wonderful!

Rachel Hamilton recommends Louise Lamont at LBA Books

Lindsay Galvin recommends Clare Wallace from DA Agency. She says ‘She has overhauled my experience of being an author. She's creative, honest, efficient, insightful. We have a true partnership. I seriously doubt I could have made writing my full time career without her.’

Lucille Abendanon recommends Thérèse Coen from SLA Agency

Kathryn Evans recommends Sophie Hicks

Kaye Umansky recommends Caroline Sheldon

George Griffiths recommends Claire Wallace from DA Agency

Kathryn Foxfield recommends Chloe Seager from Madeleine Milburn Agency, as do Nazima Pathan and Maisie Chan.

Maz Evans recommends Veronique Baxter. She says ‘Professional, ethical, passionate and a dear friend. Very lucky to have her.’

Lesley Parr recommends Amber Caraveo from Skylark Agency ‘The most wonderful wonder of all! Communicative, astute, kind, wise - everything on my agent wish list. And a Buffy fan, so many boxes ticked.’

Ash Bond recommends Jessica Hare at The Agency

Eve Ainsworth:  'I'm with Stephanie Thwaites at Curtis Brown, she's fab.'

Russell Sanderson and Lu Hersey recommend their agent, Ben Illis.

Zana Fraillon recommends her agent, Claire Wilson.

Jo Nadin says: ‘I love Julia Churchill without reservation. She’s quietly kickass, clever, kind, and, best of all, listens.’

Anne-Marie Conway recommends Julia Churchill, as does John Dougherty

Julia Churchill (A M Heath) says 'My speciality is checking if people need to go to loo before meetings.' Nikki Sheehan says Julia 'Would win against 100 horse sized ducks.' 

Mark Burgess: 'I’m represented by excellent & wonderful Nancy Miles of Miles Stott Children's Literary Agency. She also represents Gill Lewis & Frances Hardinge.'

Sarah McIntyre: ‘I'm represented by Jodie Hodges at United Agents, she's brilliant! I couldn't do without her, she keeps my life in order.’

Annaliese Avery recommends her agent Helen Boyle from Pickled Ink. She says ‘Helen is the most supportive champion, her knowledge of the industry is second to none and the esteem that I, her other authors and illustrators, and publishers hold her is is immense!’

Teo Georgie recommends Inkling Illustration

Holly Ryan recommends her agent Lorna Hemingway at BLM Agency.

Catherine MacPhail says: ‘Caroline Sheldon. Always keeps in touch. Great agent.’

Cathy Brett says ‘And Felicity Trew, Caroline's co-agent. A little terrier!’

Mary Hoffman: ‘ It was Pat White and, since her retirement, is now Claire Wilson, both of Rogers, Coleridge and White.’

Also recommend are:

Eve White, Eve White Literary Agency

Catherine Clarke at Felicity Bryan

Robert Kirby at United Agents

Jodie Hodges at United Agents (recommended by William Bee); Catherine Mary Summerhayes, Jo Unwin and Clare Conville at United Agents

Hilary Delamere at The Agency

Lindsey Fraser at Fraser Ross

Gemma Cooper at The Bent Agency

Penny Holroyde at Holroyde Cartey

Elizabeth Roy – www.elizabethroy.co.uk

Laura Cecil – www.lauracecil.co.uk

Sam Copeland and Claire Wilson at Rogers Coleridge and White – www.rcwlitagency.com

Good luck with finding a great agent

Henny is Stuck - Q and A with Debut Picturebook Writer/Illustrator Aileen Crossley - Irish Debuts Series

Aileen Crossley’s debut picturebook, Henny is Stuck has just been published. To celebrate this I asked her some questions about her road to publication and her new book.

Aileen, tell us about your publication journey

It was a hard long road of learning from mistakes and finding out how picturebooks work along the way. I got great encouragement though from very generous folks, especially from Ivan O'Brien. I remember rocking up to his offices in 2014 with a dummy book and he was so very encouraging. 

Setting deadlines for entering competitions helped. I was shortlisted for the Unpublished Picturebook Showcase last year and that was so encouraging. I knew then to keep going. I also won an Agility Award from the Arts council which was so encouraging. That gave me some space to work on Henny and the confidence that indeed she was bookstore worthy,

Do you have an agent?

I don't have an agent. I would love one. Anyone out there?!

I found my publisher Little Door Books by chance at the Scottish stall at Bologna Children’s Book Fair last March. I basically blagged my way (Irish style) into meeting with them due to my having lived and studied in Glasgow.

I also felt it was a little bit of home from home, and just wanted to have the chats with some friendly Scottish folks. Bologna is big and overwhelming at times for illustrators, and all the friendly faces you can find really help keep you going. We clicked straight away and the rest is history. A year later Henny is published. 

What has surprised you about the publication journey?

How long it took and how competitive a space it is.

What advice would you give people who would like to write or illustrate a picturebook?

Get your story right first and play with leaving gaps in writing and image making for children to fill in. They are amazing meaning makers, better than adults, and they don't get enough credit for that. 

I am currently writing and illustrating my second picturebook as part of my final master project for my masters in Illustration at Falmouth. Researching picturebooks, how they work, and how children read and learn is fascinating. I can feel this time I am avoiding all the mistakes I made previously, and due to my masters research and image creation development, it's making for a much richer writing experience.

Aileen, tell us about your book and how you wrote and illustrated it.

The idea of the book was inspired while studying illustration at Glasgow School of Art in 2011. Someone I once knew had a studio out the back of his house called The Blue Egg. I wondered about a character Blue Egg who was stuck in her shell, and slowly started to form a narrative around this character, her problem and how she might overcome it. After many iterations Blue Egg is now Henny is Stuck.

My lithography printmaking practice at The Black Church Print Studio in Temple Bar was key to finding my illustration style. I went to Bologna Childrens Book Fair last March, for the second time with Henny, where I met Little Door Books who offered me a publishing contract. Working with Alan and Susan was fantastic and they really helped craft the final copy and elevate the colours.

It was a long and winding road of a journey and I literally have a sack of dummybook iterations. Henny and I got in the end and the process has taught me everything about picturebook creation, resilience, feeling stuck, and finding yourself, just like Henny. 

About Aileen 

Aileen is an author/illustrator and an award-winning animator. Her illustration style combines her love of printmaking and lithography and retro style illustration. 

She is the Winner of two IDI awards ( Best Short Animated Film and Emerging Designer Award) for her animated short ‘Wishing Well’ for Paul Hourican. 

Her debut picture book, Henny is Stuck is available in all major bookstores from 13th March including Halfway up the Stairs in Greystones.

www.aileencrossley.ie

KPMG Children's Books Ireland Books of the Year 2023

Every year I try to predict the Irish children’s books on the KPMG Children’s Books Ireland Books of the Year shortlist. The 2023 Awards are given to books published in 2022 by Irish writers or illustrators, or those living and working in Ireland.

It was an outstanding year for picturebooks in particular.

Here are my predictions:

1/ Frankie’s World by Aoife Dooley - overall award and Children’s Choice

Well a girl can dream! It would be amazing to see this outstanding graphic novel win the overall award.

2/ Be Wild Little One by Olivia Hope and Daniel Egnéus (Eilis Dillon Award for first book)

3/ The Wilderness by Steve McCarthy - a strong contender for the illustration award

4/ Girls Who Slay Monsters by Ellen Ryan and Shona Shirley Macdonald - another contender for the illustration award

5/ Fox and Sons Tailers by Paddy Donnelly (Wolves in Helicopters is pretty special too!)

6/ Our Dog Hen by David Mackintosh - one of my favourite pictuebook makers

7/ Our Green City by Tanya Lloyd Kyi and Colleen Larmour - one of my favourite picturebooks of the year

8/ The Chestnut Roaster by Eve McDonnell - outstanding historical fantasy

9/ Run for Your Life by Jane Mitchell

10/ Truth be Told by Sue Divin

Other possibles:

Well Done, Mummy Penguin by Chris Haughton (Walker Books)

Chirp! by Mary Murphy

Our Big Day by Bob Johnson and Michael Emberley

Amuigh Faoin Spéir by Sadhbh Devlin and Brian Fitzgerald

Cloud Babies by Eoin Colfer and Chris Judge

Stopping by the Woods on a Snowy Evening by Robert Frost, illustrated by PJ Lynch

Spellstoppers by Cat Gray - fantasy adventure at its best!

The Book of Secrets by Alex Dunne

The Lost Girl King by Catherine Doyle

The Shark and the Scar by Sarah Moore Fitzgerald

Twin Crowns by Catherine Doyle and Katherine Webber

The Secrets Act by Alison Weatherby

Things I Know by Helena Close

these are the words: Fearless verse to find your voice by Nikita Gill

The Eternal Return of Clara Hart by Louise Finch

Best of luck to all those who published books in 2022!

Top Children’s Books of the Year 2022

Top 50 Children’s Books of the Year 2022

These reviews first appeared in The Irish Independent on Sat 10th December

By giving the gift of a book, you are giving a child the chance to fall into a magical world, a world of bravery and adventure, of fox tailers, heroic penguins, and mythical Irish goddesses. From the hundreds of children’s books I’ve read this year I’ve selected my favourites, with lots of Irish titles included. Happy Reading!

Picturebooks

Picturebook of the Year

Be Wild, Little One by Olivia Hope and Daniel Egnéus (Bloomsbury)

Wake Up Early, don’t be shy,/this bright world can make you fly./Be wild, little one.’ So begins this lyrical ode to being yourself and finding your own personal wild. The text is a joy to read aloud and the illustrations are magical.  Age 2+

Eoinín  agus a Charide by Muireann Ní Chíobháin and Róisín Hahessy (Futa Fata)

Eoinín the little lamb is off to a new school. Will he make new friends? A charming Irish language board book for young children, with friendly, colourful illustrations. Age 2+

Fox and Sons Tailers by Paddy Donnelly (The O’Brien Press)

Young Rory the Tailer’s son longs to make tails that are a bit different. But his traditional father doesn’t see Rory’s talent at first. The story is clever and the illustrations are full of tiny details for young eyes to pour over. Age 3+

Well Done, Mummy Penguin by Chris Haughton (Walker Books)

A brave and clever Mummy Penguin goes off to find food in the Antarctic, overcoming many obstacles and dangers along the way. The chilly landscape is wonderfully captured in shades of blue, with pops of warm reds and purples. Age 2+

 Chirp! by Mary Murphy (Walker Books)

‘Chirp says the Sparrow. Warble goes the Thrush. Tooraloo, whistles the Blackbird from the blackberry bush.’ The birds are getting ready for the dawn chorus, making songs and calls. A lyrically written story that is great fun to read out loud, with strong, vibrant illustrations. Age 3+

 Our Big Day by Bob Johnson and Michael Emberley (O’Brien Press)

When David and Simon decide to get married, David’s niece helps them make their wedding invitations and on the big day she is the ring-bearer. But disaster strikes when the rings go missing!  Emberley’s lively illustrations make the story come alive. Age 4+

Once Upon a Fairytale by Natalie O’Hara and Lauen O’Hara (Macmillan)

Become the hero of your own fairytale in this beautifully illustrated choose-your-own-adventure book. Will you ride on a unicorn or feast with fairies? You decide! Age 4+

Amuigh Faoin Spéir by Sadhbh Devlin and Brian Fitzgerald (Futa Fata)

Rua is encouraged off the sofa to have a nature adventure outside. A charming story illustrated with bright, child-friendly artwork. Age 4+

A Practical Present for Philippa Pheasant by Briony May Smith (Walker Books)

Philippa Pheasant is determined to protect all the animals who cross the Old Oak Road by becoming the first pheasant lollypop lady. This heart-warming story about kindness is illustrated with detail and care. Age 4+

Age 5+

Age 5+ Book of the Year

Loki: A Bad God’s Guide to Being Good by Louie Stowell (Walker Books)

Loki, the Norse trickster god has been banished by Odin and as punishment for his terrible behaviour is sent to earth where he must live as an eleven-year-old boy. Clever, original and hilarious, with witty line drawings. A real winner! Age 8+

 The Wilderness by Steve McCarthy (Walker Books)

Oktober Vasylenko is afraid of the wild and the fabled monster called The Wilderness. But he discovers that maybe monsters (and fears) aren’t so scary after all. The autumnal-coloured illustrations are sublime. Age 5+

 Cloud Babies by Eoin Colfer and Chris Judge (Walker Books)

Erin becomes ill and has to spend a lot of time in hospital. Back at school, she feels left behind. Can her two lives – hospital and school – ever come together? The clever cloud illustrations will make any reader smile. Age 5+

Everybody Feels Fear by Ashwin Chacko (DK) 

This book’s message - it’s ok to feel fear as we are built to deal with it - is powerful and the strong illustrations sing with colour. Chacko brings a lot of gentle humour to the topic too. Age 5+

Bumble and Snug and the Angry Pirates by Mark Bradley (Hachette Children’s Books)

Best friends Bumble and Snug find pirate treasure and get caught up in a strange adventure involving a giant octopus. A vibrantly coloured, exuberant comic book which is great fun but is also richly layered and thoughtful. Age 6+

The Shop of Impossible Ice Creams by Shane Hegarty, illustrated by Jeff Crowther (Hodder Children’s Books)

Limpet’s mother is about to open an ice cream shop. But the evil Mr Fluffy who already runs an ice cream shop in the seaside town has other ideas. Sweet, funny and highly inventive, this book is a real treat. Age 7+

Watercress by Andrea Wang, illustrated by Jason Chin (Neal Porter Books)

Based on the author’s own childhood, this beautifully illustrated picturebook is about a girl who has to help her parents collect watercress from the side of the road. She is embarrassed by this and by her hand me down clothes until her mother shares the story of her own difficult childhood back in China. Age 7+

Age 9+

Age 9+ Book of the Year

Frankie’s World by Aoife Dooley (Scholastic)

Frankie is eleven, the smallest in her class and has always felt different. She’s always wondered who her dad is and decides to try and find him, with her best friend’s help. Inspired by Dooley’s childhood and own autism journey, this graphic novel with striking illustrations is a wonderfully charming, honest and funny look at growing up. Age 9+

Girls Who Slay Monsters by Ellen Ryan, illustrated by Shona Shirley Macdonald (HarperCollins Ireland)

These tales of daring, courage and ingenuity, featuring forgotten goddesses from Ireland’s mythological past are beautifully written but also highly accessible, making them perfect for modern readers. The mesmerising, atmospheric illustrations are outstanding. Age 9+

The Sackville Street Caper by Alan Nolan (The O’Brien Press)

Set in Dublin in 1858, when young Bram Stoker’s notebook is stolen by Molly Malone’s gang of child ‘spooks’ or pickpockets, he stumbles upon the adventure of a lifetime. Brilliant characters, puns and word play galore, plus rotten fish, nappies, ghosts - this cracking book has it all! Age 9+

Unleash Your Creative Monster: A Children’s Guide to Writing by Andy Jones, illustrated by Olaf Falafel (Walker Books)

One of the best creative writing books for children I’ve come across in recent years, full of useful information and written in lively, accessible prose. Each page is brought to life by witty cartoon illustrations. Age 9+

One Time by Sharon Creech (Guppy Publishing)

Gina Filomena is a girl bursting with imagination. Too much imagination if you ask her old teacher. When a new boy moves in next door to her, she wants to know everything about him. The right reader will love this book - a thoughtful, imaginative child who loves writing and art. Age 10+

When the War Came Home by Lesley Parr (Bloomsbury)

Natty has to move to a small village in the Welsh countryside to stay with her cousins Huw and Nerys. Huw joined the army when he was only fourteen, fighting in the First World War and coming home traumatised. A beautifully written, accessible historical novel with strong characters and a compelling story. Age 10+

The Lost Whale by Hannah Gold (HarperCollins)

Rio has been sent to LA to stay with his granny while his mum is in hospital but he’s upset and shuts his granny out.  He meets a kind, calm girl called Miranda whose dad runs a whale watching boat and soon gets caught up in a special whale’s life. A compelling animal, friendship and family tale. Age 9+

While the Storm Rages by Phil Earle (Andersen Press)

When the British government orders everyone to put down their pets to help the war preparations, Noah is devastated. But instead of bringing his dog, Winn to the vets, he runs away with him, along with two friends and as many animals as they can save. A fast-paced historical adventure story which will have readers gripped. Age 9+

My Friend the Octopus by Lindsay Galvin, illustrations by Gordy Wright (Chicken House Books)

Vinnie is sent to Brighton to stay with her aunt. There’s mystery (her mother has disappeared to Paris), new friends, a wonderful giant octopus and adventure galore. Set in 1893, this is historical fiction with oodles of charm. Age 9+

My Aunt the Monster by Reimena Yee (RH Graphic)

Safia thinks that being blind means she won’t have adventures. How wrong can she be? She goes on a remarkable trip with her wonderful Aunty Whimsy who has been cursed to live as a monster. A brilliant romp, this graphic novel is ideal for readers who love travel and thrills. Age 9+

Spellstoppers by Cat Gray

When Max touches anything mechanical or electrical it blows up. He’s packed off to stay with his grandfather, a Spellstopper or person who can drain misbehaving magic. Can he help Max control his powers? Clever, funny and full of original ideas, this is fantasy at its best. Age 9+

The Book of Secrets by Alex Dunne (O’Brien Press)

Cat and Shane band together to save their siblings from the fairies in this thrilling, adventure-packed novel blending modern Ireland with Irish folklore. Age 10+

The Chestnut Roaster by Eve McDonnell (Everything with Words)

Set in Paris in 1888, this novel brings the reader underground to the Paris catacombs, quite the setting! Twelve-year-old Piaf can remember everything and along with her brother, must try to find lost Parisian children. The plot is as clever and twisting as the catacombs themselves. Age 10+

Lily Takes a Chance by Judi Curtin (The O’Brien Press)

Set in 1915, Lily the housemaid at Lissadell is determined to follow her dreams and be a teaching assistant, but can she get the glowing reference she needs to secure the position? An enchanting friendship story written with warmth and humour. Age 9+

The Lost Girl King by Catherine Doyle (Bloosmbury)

After walking through an enchanted waterfall, Amy and Liam find themselves in Tír na nÓg. When Liam is kidnapped by headless horsemen, it’s up to Amy to save him. Beautifully written, this is a terrific myth-inspired fantasy adventure. Age 10+

The Ministry of Unladylike Activity by Robin Stevens (Puffin)

May Wong finds herself in a big country house with fellow young ‘detectives’ Eric and Fionnuala. Can they solve a murder and prove themselves? A gripping murder mystery set in 1940. Age 10+

The Little Match Girl by Emma Carroll, illustrated by Lauren Child (Simon and Schuster)

Bridie works as a match girl on the streets of Victorian London. But some of her matches are magic and she realises she has the power to change things for both herself and the match factory girls. Perfect for Judi Curtin fans. Age 9+

Paradise Sands by Levi Pinfold (Walker Studio)

A stunning, unusual picturebook which reads like a traditional fable. A young girl and her brothers visit a strange hotel and fall under a spell. But only the girl is strong and wise enough to free them from the enchantment. Outstanding illustrations. Age 9+

And Everything Will Be Glad to See You by Ella Risbridger, illustrated by Anna Shepeta (Nosy Crow)

Magical, enchanting, thought-provoking poems, from old favourites by Maya Angelou to new discoveries. The illustrations are magnificent, full of powerful colour and striking details. A joyful book, an important book. Age 9+

Age 11+

Age 11+ Book of the Year

The Light in Everything by Katya Balen (Bloomsbury)

Tom is often afraid. Zoifa was ‘born in a storm’ and is wild and free. When Zofia’s dad and Tom’s mum decide to blend the two families, both young people are horrified. But when tragedy threatens to strike the new family, things begin to change. Balen’s prose is hummingbird-beautiful, every line is so carefully crafted it seems effortless. Unmissable. Age 12+

Tyger by S F Said, illustrated by David McKean (David Fickling Books)

When Adam finds an Immortal Tyger hidden in a rubbish dump, he knows he must help her. Saving her may also save the world. Set in an alternate London where there is slavery and ghettos, this is an amazing book, full of ideas, and it’s a credit to Said’s craft that it manages to be both a page turner and profound. Age 11+

The Truth About Riley by Sinead Moriarty (Gill Books)

When Riley’s dad dies he leaves behind so much debt that they lose the family home. Riley and her mum have to live in their car but Riley is determined to keep this from her classmates. But luckily kindness comes from unexpected places. This is a genuinely moving novel, written with compassion and honesty. Age 11+

You’re Not the Boss of Me! by Catherine Wilkins (Nosy Crow)

Amy loves writing comedy sketches, but a misguided teacher hands over the running of the school comedy show to a boy in Amy’s class. Harry doesn’t believe girls can be funny, especially Amy who couldn’t give a hoot what Harry thinks of her, making her dangerous and a problem to squash. I laughed my way through this clever, thought-provoking book. Age 11+

You Don’t Know What War is by Yeva Skalietska (Bloomsbury)

Yeva is a young Ukrainian girl and this is her diary. It starts on 14th February 2022, her twelfth birthday and chronicles her flight from war, along with her grandmother, ending up in Ireland. It’s written with honestly and heart and gives an important child’s eye view of war. Age 12+

The Shark and the Scar by Sarah Moore Fitzgerald (Orion)

Jay wakes up in hospital. His dad tells Jay he’s been the victim of a terrible shark attack, leaving him scarred and afraid. But what if his dad is lying? An intriguing tale of family, friendship, love and loss. The mystery at the centre of this book will keep the reader gripped. Age 12+

My Heart and Other Breakables by Alex Barclay (HarperCollins)

Ellery Brown has recently lost her mother and is trying to find her long lost father using clues from her mum’s bookshelves and with the help of her kind and supportive best friend, Megan. Written with a lot of humour, this book is a joy to read and genuinely moving. Age 12+

Run for Your Life by Jane Mitchell (Little Island)

Azari flees to Ireland with her mother to find a new life. They are placed in a Direct Provision Centre and must work hard to stay positive and healthy. Azari tries to create a new life for herself and reconnects with her love of running. Mitchell researched this novel meticulously and portrays life in Direct Provision starkly and honestly. Age 12+

YA (Young Adult)

YA Book of the Year

Twin Crowns by Catherine Doyle and Katherine Webber (HarperCollins)

Princess Rose Valhart is polite, respectful and trusting. Wren Greenrock is her secret sister, a strong, outspoken young woman who has been raised by witches and is determined to usurp the princess. Wren arranges for Rose to be kidnapped and she takes her place in the castle. But her plan doesn’t exactly run smoothly! There’s so much to enjoy in this book - horse rides across deserts, dashing bodyguards, dialogue that sparkles with wit and intelligence. Great fun! Age 14+

The Secrets Act by Alison Weatherby (Chicken House)

Set in Bletchley Park during World War 2, this novel about a Welsh teen code breaker, Ellen and her English messenger friend, Pearl, is perfect for fans of historical novels that have friendship and romance themes in the mix. Age 13+

Things I Know by Helena Close (Little Island)

When Saoirse's ex-boyfriend dies by suicide everyone blames her, and she blames herself. She gets lost in a spiral of pain and crippling anxiety, and the counsellor who is supposed to be helping her only makes things worse. Can she manage to find herself again? A well-written examination of a teenager on the brink, honest and ultimately hopeful. Age 15+

Truth Be Told by Sue Divin (Macmillan)

Tara and Faith run into each other at a ‘cross-community peace-building residential’. They couldn’t be more different, Tara is a loud, brash Derry girl, Faith is quiet, reserved and from rural Armagh. But as soon as they set eyes on each other, their lives change because they could be twins. A powerful and darkly funny family and friendship novel set in contemporary Northern Ireland. Age 14+

Big Bad Me by Aislinn O’Loughlin (Little Island)

Evie Wilder has just found out she’s a werewolf but that’s only the start of her problems. Her mum is missing and she’s being hunted down by vampires. Written with confidence, panache and oodles of humour, this book is a must for Buffy fans. Age 14+

these are the words: Fearless verse to find your voice (all lower case apart from the word Fearless, Gareth) by Nikita Gill (Macmillan)

This is Gill’s first collection for teens and she writes about being a girl, a sister and a friend with clarity and truth. Her themes range from wild girls and aunties, to body hair, and it would be a great choice for any young person with an interest in poetry or creative writing. Age 14+

Activist by Louisa Reid (Guppy Books)

The boys at Cassie’s outdated secondary school believe they can treat girls any way they like without consequences and Cassie has had enough. She decides to rise up, speaking out and refusing to stop, not matter what the personal repercussions. She is, in a word, magnificent. This searing YA novel in verse celebrates the strength of one lone, brave voice. Age 15+

Gift Books for Christmas

Stopping by the Woods on a Snowy Evening by Robert Frost, illustrated by PJ Lynch, (Walker Books)

No one does snow like P J Lynch and his illustrations in this picturebook are stunning. He brings Frost’s classic 1922 poem to enchanting life. Age 6+

The Grumpus and his Dastardly, Dreadful Christmas Plan by Alex Smith  (Macmillan)

Looking for a new ‘Grinch’ to read aloud this Christmas? Look no further, this book is perfect! Funny, charming and heart-warming. Age 4+

Sir Adam the Brave and the Moody Monsters by David King and Rhiannon Archard (Penguin Sandycove)

Adam the Brave must save his village from moody monsters. Luckily his kindness wins out. A charming story with attractive, colourful illustrations. Age 4+

The Faber Book of Bedtime Stories 

Various authors, Illustrated by Sarah McIntyre (Faber Children’s Books)

A handsome hardback collection of short stories for young readers. The high quality of both the writing and the illustrations makes this collection a real winner for reading aloud at bedtime. Age 5+

The Magic of the Ballet by Vivian French, illustrated by Lauren O’Hara (Walker Books)

A retelling of seven famous ballets, with sumptuous illustrations. A must for ballet fans. Age 6+

Glorious Goddesses of Ancient Ireland by Karen Wallace, illustrated by Paula McGloin (Beehive Books)

Colourful illustrations bring Irish goddesses alive for younger readers. Age 6+

Recommended Titles for Spring 2022

These reviews were first published in The Irish Independent

It’s been an amazing spring for children’s books, with some stand out titles from Irish writers, like Jane Mitchell’s powerful teen novel, Run for Your Life, set in a Direct Provision Centre, and Frankie’s World, a terrific graphic novel by Aoife Dooley about her own childhood and growing up different. With the Easter holidays coming up, there’s something special for every child and teen to lose themselves in.

Happy reading!

Picturebooks and Books for Younger Children

Top Choice

Chirp! by Mary Murphy (Walker Books)

‘Chirps says the Sparrow. Warble goes the Thrush. Tooraloo, whistles the Blackbird from the blackberry bush.’ This is a glorious picturebook for younger children from an award-winning Irish author/illustrator. All the birds get ready in their own way for the dawn chorus, making songs and calls. When dawn breaks the air is filled with their sounds, but the little Bluebird has the zippiest song of all.

A lyrically written story that is great fun to read out loud, with strong, vibrant, illustrations that make the heart sing. Age 2+

Where Are You Puffling? by Erika McGann, illustrated by Gerry Daly (O’Brien Press)

The charming, colourfully illustrated tale of Ireland’s favourite little Puffling is now available in board book format, perfect for the youngest of readers. Puffling is lost, where can she be? Her parents go looking for her and with the help of an array of Irish animals, from gannets to seals, they manage to find her. Age 2+

A Good Place by Lucy Cousins (Walker Books)

A bee, dragonfly, beetle and ladybird are looking for a new place to live, but each place they try has problems, from human feet to pollution. But luckily a boy has created the perfect place to live for them all, in his back garden. A simple picturebook for younger children with well designed, colourful illustrations. Age 3+

Dodos are Not Extinct by Paddy Donnelly (Yeehoo Press)

Dodos are not extinct, they are hiding out in plain sight, that’s the premise of this clever, funny picturebook. There are also dinosaur surgeons and taxi drivers in our midst, and woolly mammoths passing themselves off as elephants.

Sadly these and other animals are indeed extinct and Donnelly talks about this in the final spread of the book and about what we can all do to help endangered animals. The illustrations are vibrant and striking, and Donnelly’s dramatic use of the double page spread and the page turn are developing with each new book. Age 4+

My Mum is a Lioness by Swapna Haddow, illustrated by Dapo Adeola (Macmillan)

‘Run! Hide! My mum is a lioness.’ Haddow has created a wonderful ode to strong, sporty, powerful mums in this fun picturebook. A boy talks about all the things his mum does for him, protecting him, teaching him and loving him. The perfect bedtime story for young cubs, with lively, expressive illustrations by Adeola. Age 3+

A Duck Called Brian by Al Murphy (Scholastic)

It’s definitely the season for bird themed picturebooks and this one is that rare thing, a story that both the child and the adult reading it to them will find equally hilarious. Brian the duck is one of a kind. He’s lost his friend, Gregory and is determined to find him. But his search does not go smoothly and he encounters all kinds of shenanigans along the way, including ducks icing a giant cake and ducks testing a crocodile-proof diving suit. Silliness abounds in this witty picturebook with cartoon-style illustrations; children (and grown-ups) who like a good laugh will love it. Age 4+

Age 5+

Top Choice

Watercress by Andrea Wang, illustrated by Jason Chin (Neal Porter Books)

This outstanding title recently won the Caldecott Medal in the US for the best picturebook. Based on the author’s own childhood, it’s about a girl who has to help her parents collect watercress from the side of the road. She is embarrassed by this and by the hand me down clothes she has to wear, and refuses to eat the watercress. But when her mother shares the story of her own impoverished childhood back in China and how her own little brother died of starvation, the girl feels ashamed and together the family make ‘a new memory of watercress’.

The writing is exceptional, there’s not a word out of place, and the stunning watercolour illustrations, created with both Chinese and western brushes, are full of exquisite detail. A book full of heart. Age 7+

Ella in the Garden of Giverny: A Picture Book about Claude Monet by Daniel Fehr, illustrated by Monika Vaicenaviciene (Prestel)

Ella has just moved from America to France with her family. She loves drawing people, ‘the stranger the better’, and one day sneaks into Monet’s garden at Giverny to draw him. He takes a liking to her and tells her all about his childhood and how he became an artist. Told through Ella’s eyes and via her dialogue with Monet, this is a lively, fun book with striking and clever illustrations by an award-winning Lithuania illustrator. There are information pages about the artist at the back of the book. Perfect for young art or history lovers and their grown-ups. Age 7+

Michael Collins: The People’s Peacemaker by John and Fatti Burke (Gill Books)

The Little Library series by John and Fatti Burke features well known people from Irish history, such as Mary Robinson, Tom Crean and Granuaile. Michael Collins is the latest title in the series and his life and achievements are outlined in suitable language for younger children. Fatti’s bold, bright illustrations largely show a cheery, smiling Collins and due to the age of the intended audience the violence of the time is not lingered over (although there are images showing guns and burning buildings). John Burke is a former primary school teacher who knows his audience well and these books give a good introduction to Irish history for younger readers. Age 7+

Loki: A Bad God’s Guide to Being Good by Louie Stowell (Walker Books)

Loki, the Norse trickster god has been banished by Odin and as punishment for his terrible behaviour has been sent to earth where he must live as an eleven-year-old boy. He’s joined by Thor and two other gods who are all pretending to be his family. Loki is supposed to be redeeming himself but instead he’s causing mayhem on earth. How much trouble can one boy make? The answer is a lot!

Clever, original and very, very funny, this is the perfect book for Wimpy Kid fans. With exuberant line drawings on every page, it hums with action, humour, heart and a lot of fart jokes. Good news – there is another Loki book coming in the autumn. Age 8+

Top Choice Age 9+

Top Choice

The Secret of Splint Hall by Katie Cotton (Andersen Press)

It’s England in post-war 1945. Flora and Isobel’s house was destroyed by a bomb, so they have to move to the country to live with their aunt and her horrible husband to Splint Hall, the Big House where their mother and aunt grew up.

But what are the strange blue sparks coming from the ground and what lies behind the secret door in their mother’s childhood bedroom? This book is full of delicious secrets for the girls and the reader to uncover. Cotton writes with a freshness and urgency that gives this historical novel real oomph. There’s also a wonderful fantasy twist which young readers will love. I read the last third of the adventure in one heady gulp – think Famous Five meets Indiana Jones. A terrific book by an accomplished storyteller. I loved it. Age 10+

When the War Came Home by Lesley Parr (Bloomsbury)

When her mum loses her job in the local factory, Natty has to move to a small village in the Welsh countryside. Here she meets her cousins Nerys and Huw. Huw isn’t doing so well. He lied about his age and joined the army when he was only fourteen, fighting in the First World War and coming home traumatised.

There are other young, injured soldiers in the local hospital, still battling the after effects of the war. Natty becomes friendly with one of them and gradually learns his secret.

A beautifully written, accessible historical novel with strong characters and a compelling story. Parr’s previous book, The Valley of Lost Secrets won many awards and his one looks all set to do the same. Age 10+

The Lost Whale by Hannah Gold (HarperCollins)

Gold’s last book, The Last Bear was one of my favourite books of 2021 and her new novel doesn’t disappoint. Eleven-year-old Rio Turner has been sent to LA to stay with his granny while his musician mum is in hospital. His mum’s mental health has been even more fragile than usual and recently Rio has had to be her carer and confident which has taken its toll, leaving him tired and worried.

He shuts his granny out and spends time on the beach. Here he meets a kind, calm girl called Miranda whose dad runs a whale watching boat. When Rio finds old drawings by his mum of one special whale called White Beak his is determined to find the whale. But White Beak has his own problems.

Gold’s writing is clear and precise and woven through with stirring descriptions and telling images, and she doesn’t shy away from difficult topics. A winning book from a master storyteller. Age 9+

The Hunt for the Nightingale by Sarah Ann Juckes (Simon and Schuster)

Ten-year-old Jasper is looking for two things, the nightingale that comes to sing in his garden every year, and his beloved big sister, Rosie. Neither are anywhere to be seen so he goes off in search of them both, across fields, parks and rivers, meeting some extraordinary children, adults and animals along the way. The truth about his sister is lying just below the surface and the reader must go on the journey with Jasper to find out what has really happened to her.

This novel about grief, birds and the power of love is beautifully written and would suit a thoughtful reader who loves nature. Age 9+

Grandpa Frank’s Great Big Bucket List by Jenny Pearson (Usborne)

When young Frank Davenport is left half a million pounds by the grandmother he’s never met, he also inherits something or someone else, his grandpa, also Frank. Her will states he must look after his grandpa and he will receive another reward, so he sets out to give his grandpa the time of his life – creating a bucket list of crazy things to do – from hot air ballooning to monster truck driving, with hilarious consequences.

An action-packed and funny adventure story, written with lots of heart. Perfect for fans of David O’Doherty’s The Summer I Robbed a Bank. Age 9+

Escape Room by Christopher Edge (Nosy Crow)

When Ami arrives at The Escape, an escape room with challenges and puzzles, she’s all ready to play whatever games are thrown at her. There’s an abandoned shopping mall full of prehistoric creatures, a creepy old library and a strange chess game. In each setting Ami and her new friends have to find the answer to a puzzle or quest which allows them to move to the next one. But there’s something strange going on and as the contestants are knocked out one by one, will Ami be the last one standing?

This is an intense, rollercoaster of a read, with an almighty twist towards the end which caught me completely off guard. Perfect for readers who like fast-paced, spine-tingling reads. Age 9+

Dread Wood by Jennifer Killick (Farshore)

If you’re looking for something even spookier, this is the book for you. Killick is one of the best middle grade (age 9 to 12) horror writers around. Dread Wood is set in a school where a group of teenagers have gathered to do a Saturday morning detention. But when their teacher is pulled down what looks like a sink hole by something giant and hairy, they realise something is very, very wrong. It’s scary enough to thrill children but the horror is very much tailored towards younger readers, think Goosebumps rather than Stephen King! Age 10+

Teens and YA

Top Choice

The Light in Everything by Katya Balen (Bloomsbury)

I only discovered Katya Balen last year, thanks to a writer friend who pressed October, October into my hands and urged me to try it. It’s one of the most extraordinary, immersive children’s books I’ve ever read. The Light in Everything is all set to be another lifelong favourite. It’s the story of Tom who lives with his mum and, after witnessing his father’s violence, is often afraid. His father is now far away from them, but Tom still lives with fear.

Zoifa couldn’t be more different. She was ‘born in a storm’ and feels feral, like a wild animal. When Zofia’s dad and Tom’s mum decide to live together, in Zofia’s cottage beside the sea, both young people are horrified. After all, they hate, hate, hate each other! And when they find out there’s a new baby on the way, things get even more twisted and complicated. Both wish the stupid baby would just go away. But when tragedy threatens to strike, things begin to change between them.

Balen’s prose is hummingbird-beautiful, every line is so carefully crafted it seems effortless, yet every paragraph has a depth and a heft to it; her writing makes a home in your heart. Her characters are so well drawn you don’t read their story, you live it. From the opening lines to the final sentences, this book is a joy to read. I’d highly recommend this book (and all Balen’s books) to adults as well as older children, it’s outstanding. Age 11+

Run for Your Life by Jane Mitchell (Little Island)

Azari travels to Ireland with her mother on a container ship to find a new life, away from her father’s cruelty, away from the patriarchal society that forces teenage girls like her sister to marry old men against their will.

They are placed in a Direct Provision Centre and must work hard to stay positive and healthy in difficult circumstances. Azari has to be strong, her mother may be in Ireland but her heart and soul are still in her warm, sunny village and Azari takes on the role of parent and caretaker in their relationship.

A dedicated runner as a girl, Azari starts to run again and meets an Irish teenager who also loves running. This new friendship adds a lighter, more hopeful element to this multi-layered book. Azari and the other Direct Provision teenagers in the school are not always well treated by their peers, and the overt and sly, underhand bullying and racism she encounters are eye-opening.

Mitchell researched this novel meticulously and portrays life in Direct Provision starkly and honestly. She and her publisher, Little Island wanted to create a book to advocate for those in Direct Provision who might not yet have a voice of their own. Around two thousand children are currently living in Direct Provision Centres around Ireland. Mitchell says ‘they deserve so much more’ and she has tried to give them a voice in this fine book. Age 13+

Truth Be Told by Sue Divin (Macmillan)

Tara and Faith run into each other at a ‘cross-community peace-building residential’. They couldn’t be more different, Tara is a loud, brash Derry girl, Faith is quiet, reserved and from rural Armagh. But as soon as they set eyes on each other, their lives changed because with their dark wavy hair, cheek bones and green eyes, they could be twins. Both teenagers are determined to find out what’s going on, or more accurately what went on in their parents’ past and start digging around, unearthing more than they bargained for.

A powerful, gripping and darkly funny family and friendship novel set in contemporary Northern Ireland. Tara and Faith are beautifully drawn characters and their journey from confusion about their shared past to understanding and acceptance is gripping. Age 14+

You’re Not the Boss of Me! by Catherine Wilkins (Nosy Crow)

Amy loves writing comedy sketches. She doesn’t care what other people say, she knows they are funny. But when the misguided teacher, Mrs Hague hands over the running of the school comedy show to a boy in Amy’s class, Harry things start to get complicated. Harry doesn’t believe girls can be funny, especially a certain girl called Amy (who he sees as a threat). Amy couldn’t give a hoot what Harry or anyone else thinks of her, she’s determined to be herself no matter what. In the world of school, with its endless power struggles and peer dynamics, Amy is seen by boys like Harry as dangerous and as a problem to squash. But he hasn’t reckoned on Amy’s tenacity. She is determined to get her comedy sketches judged fairly so she comes up with a plan.

I laughed my way through this clever, thought-provoking book. Amy is a wonderfully unique character and I cheered her on all the way. Perfect for fans of Rosie Jones, David O’Doherty and any young reader who likes a funny book with a lot of heart. Age 11+

The Secrets Act by Alison Weatherby (Chicken House)

Set in Bletchley Park during World War 2, this novel about a Welsh teen code breaker, Ellen and her English messenger friend, Pearl, is perfect for fans of historical novels that have friendship and romance themes in the mix.

Weatherby is American, living in Dublin and researched the period carefully, capturing the atmosphere of 1941 well. The research is worn lightly and the intriguing mystery at the heart of the book – who is the spy in their midst - keeps readers guessing until the final page. An ode to clever, brave, loyal girls, this is a great novel for teen fans of Anna Carey. Age 13+

All That’s Left in the World by Erik J Brown (Hachette Children’s Books)

Andrew has managed to survive a deadly pathogen that has killed off most of the world’s population. He’s injured, starving and running out of hope when he finds a house to shelter in. Here he meets Jamie, a teenage boy with a secret and the pair start to open up to each other, and decide to go on a journey together to find somewhere safe, somewhere to survive. Described by the publishers as a ‘postapocalyptic queer adventure romance’, it’s hard to believe that this is Brown’s first novel. The writing is fresh and vividly descriptive, and the dual narration is beautifully handled. Perfect for fans of Adam Silvera. Age 15+

Fun Books to Keep Young Readers Busy Over the Holidays

Comic books or graphic novels are a brilliant way to keep children and teens reading over the Easter holidays. There are lots of great titles available for all ages, along with some great activity books and sports books.

Comic Books

Bumble and Snug and the Angry Pirates by Mark Bradley (Hachette Children’s Books)

Bumble and Snug live in Bugbopolis, a colourful city full of monsters called Bugbops. Bumble is loud and enthusiastic and loves change, Snug is quieter and loves learning new skills. He can get scared and anxious sometimes. But despite their differences they are great friends.

During a picnic they find pirate treasure they get caught up in a strange adventure involving a giant octopus who needs help and they use their emotional intelligence to save the day. A vibrantly coloured, exuberant comic book which is great fun but is also richly layered and thoughtful. Age 7+

Bunny Vs Monkey and the Supersonic Aye-Aye by Jamie Smart (David Fickling Books)

The latest comic book in this bestselling series sees more adventures and drama in the forest. In one of the chapters Bunny is trying to sleep but everyone keeps waking him up, so he decides to get his own back. But it doesn’t go quite as planned. Highly entertaining and perfect for Dog Man fans. Age 8+

Frankie’s World by Aoife Dooley (Scholastic)

It’s impossible not to fall in love with Frankie. She’s eleven, the smallest in her class and has always felt different to other children. She’s always wondered who her dad is and decides to try and find him, with her best friend’s help.

Inspired by Dooley’s childhood, this graphic novel is a wonderfully charming, honest and funny look at growing up. There are some pages about autism at the back of the book, along with information about being a good friend. The illustrations, in shades of blue and orange are a joy. Already one of my favourite books of the year. Age 9+

Activity Books

The Looking Book by Lucia Vinti (Pavilion)

A wonderfully interactive art book that teaches you about artists and also encourages you to create your own art on the book’s pages. It talks about Frida Kahlo and her self-portraits and then encourages you to draw your own self-portrait, to bring the book outside and draw what you see there, and to visit an art gallery and use the book to explore the works of art there. Beautifully designed and laid out, this is the perfect book for young artists. Age 8+

Unleash Your Creative Monster: A Children’s Guide to Writing by Andy Jones, illustrated by Olaf Falafel (Walker Books)

One of the best creative writing books for children I’ve come across in recent years, full of useful information and written in lively, accessible prose. Each page is brought to life by witty, cartoon illustrations. If you have a young writer in your household do get them this book. Age 9+

Sports Books

Ayeisha McFerran by David Coren (O’Brien Press) in the Great Irish Sports Stars series is the inspiring story of one of the world’s greatest hockey goalkeepers. It chronicles Ayeisha’s journey from young girl to winner of the Hockey World Cup Goalkeeper of the Tournament and explains how she got there. Written in accessible, easy to read prose, it’s ideal for young sports fans. Age 9+

Twin Power, Throw In! by Emma Larkin (O’Brien Press) is a novel about two young Gaelic football players. When they play together they are so fast and skilful everyone calls them ‘Twin Power’. A lively, fun story for younger readers. Age 8+

KPMG CHILDREN'S BOOKS IRELAND BOOK AWARDS 2022

KPMG Children’s Books Ireland Awards 2022 (books published in 2021)

 2021 was a whopper of a year for Irish books, with over 140 titles published, a record high. Here are my (rather hasty as I’ve just realised the shortlist is announced tomorrow 9th March) predictions for this year’s shortlist.

 Picturebooks:

Maybe by Chris Haughton

Weirdo by Zadie Smith and Nick Laird, Illustrated by Magenta Fox

There’s a Ghost in This House by Oliver Jeffers

Frindleswyle by Natalia O’Hara and Lauren O’Hara

 Younger Readers (A really strong age group this year!)

Rabbit and Bear: A Bad King is a Sad Thing by Julian Gough, illustrated by Jim Field (One of the best books I’ve ever read for this younger age group – this age group often gets overlooked for awards – esp if books are in a series – I think it deserves to win the overall prize.)

Cluasa Capaill Ar An Rí by Bridget Breathnach, illustrated by Shirely MacDonald

Wild Child by Dara McAnulty, illustrated by Barry Falls

Rescuing Titanic by Flora Delargy (My prediction for Eilis Dillon Award for First Book – amazing book!)

Tree Dogs, Banshee Fingers by Manchán Magan, illustrated by Steve Doogan (the illustrations are outstanding – I’d love to see this on the shortlist)

Leaflings by Niamh Sharkey and Owen Churcher

 Age 9+

The Summer I Robbed a Bank by David O’Doherty, illustrated by Chris Judge (I would love this to feature – brilliant book)

Wolfstongue by Sam Thompson

 YA

Hani and Ishu’s Gide to Fake Dating by Adiba Jaigirdar

Guard Your Heart by Sue Divin

 The shortlist may also feature:

Picturebooks

Twas the Night Before Christmas by Clement C Moore, Illustrated by PJ Lynch

One of the many Paddy Donnelly titles (Here Be Dragons is my favourite)

Big Dance by Aoife Greeham

Younger Readers

Bad Panda by Swapna Haddow, Illustrated by Sheena Dempsey

Age 9+

Tabitha Plimtock and the Edge of the World by Erika McCann, illustrated by Philip Cullen

The Kidds of Summerhill by Ann Murtagh

Mr Spicebag by Freddie Alexander, illustrated by Helen O’Higgins

Teens

All the Money in the World by Sarah Moore Fitzgerald

YA

All Our Hidden Gifts by Caroline O’Donoghue

The Best Children’s Book Agents 2022 as Recommended by their Writers and Illustrators + Irish Publisher Submission Details

Getting Published

Every year I try to update this post - one of the most popular posts on my blog. I hope it's helpful. If you are a published writer or illustrator and would like to recommend your agent, please contact me. I'd be delighted to add your agent to the list. 

All the agents on this list are recommended by people in the know - their writers and illustrators. Thank you to all the writers and illustrators who have responded to my call out for recommendations over the years. 

YOU CAN SEND YOUR BOOK DIRECTLY TO MOST IRISH PUBLISHERS (WITHOUT AN AGENT)

In Ireland we are lucky to have The O’Brien Press whose editors are happy to read unsolicited manuscripts. You can send your book directly to one of their editors. Submission details are on their website and they publish a wide range of fiction and non-fiction for children and young people, including my books: https://www.obrien.ie/submissions

The team at Little Island are also happy to read unsolicited manuscripts (however they do close submissions at certain times of the year): https://littleisland.ie/submissions/

Gill Books publish some terrific picturebooks, children’s novels and children’s non-fiction. Venetia Gosling is their new Associate Publisher and she is in charge of the children’s list.:

https://www.gillbooks.ie/write-for-us

HarperCollins Ireland has recently appointed an editor, Catherine Gough who is actively looking for new children’s books. opensubmissions@harpercollins.ie

Website link here

Bonnier Books has also recently appointed an Irish publishing director, Deirdre Nolan

Find out what she’s looking for here

Bonnier website

I will post her contact details when they are available.

Mercier and Poolbeg also publish some children’s books and accept unsolicited manuscripts.

Poolbeg submission details here

Mercier: Submissions can be sent by email to commissioning@mercierpress.ie or by post to Commissioning Editor, Mercier Press, Unit 3B, Oak House, Bessboro Road, Blackrock, Cork, Ireland.

UK PUBLISHERS

Most UK publishers do not accept unsolicited manuscripts so you will need to submit your work through an agent.

WHAT DOES AN AGENT DO EXACTLY?

1/ An agent can advise you on your manuscript and on how to make it more attractive to a publisher. Many will act as editors and help improve a manuscript before it is sent out to editors.. They are also excellent at coming up with zippy book titles as I’ve discovered.

2/ An agent can find the right editor or publisher for your work – like a book matchmaker. And they can sell your UK, US, digital and foreign rights. They can also look after any film or television rights.

3/ Agents deal with the difficult and technical area of contracts. This is particularly important at the moment as digital rights can be tricky.

4/ Financial back up – they can chase up your royalties and talk to your publishers about outstanding monies owed to you.

These days having potential isn’t enough, your manuscript must be as perfect as you can make it before it goes anywhere near a publisher. A good agent can play a vital role in this process.

WHO REPRESENTS SOME OF THE BEST CHILDREN'S WRITERS?

Remember to check each agent’s website for submission guidelines before you send anything out. Or ring the agency for details – I know it’s daunting but they are always happy to advise you on how (or if) to submit. Be warned – you may get the agent herself/himself on the phone. Be prepared.

RECOMMENDED CHILDREN’S AGENTS: IRISH WRITERS

Eoin Colfer is represented by Sophie Hicks. Sophie is a very experienced agent and her writers rate her highly. She also represents Oisín McGann. www.sophiehicksagency.com

Lucy Coats adds ‘Sophie Hicks of SHA is, of course, the best agent in the world! Sympathetic and positive in adversity, great sense of humour and fights her authors’ corner like a tigress on speed. Highly recommended.’

Derek Landy is represented by Michelle Kass, who also represents Patrick Ness. www.michellekass.co.uk

Darren Shan is represented by Christopher Little   For general enquiries email: www.christopherlittle.net

Sarah Webb and Chris Judge are represented by the wonderful Philippa Milnes Smith at The Soho Agency

Steve McCarthy says: ‘I'll second that for Philippa! I can attest to her kindness, wise-ness and hilarity.’

Contact: https://thesohoagency.co.uk/submission

Marita Conlon McKenna is represented by Caroline Sheldon www.carolinesheldon.co.uk

Patricia Forde is represented by Anne Clarke. Trish says ‘She is absolutely wonderful and I recommend her wholeheartedly!’
http://anneclarkliteraryagency.moonfruit.com/home/4574290903

Elizabeth Rose Murray recommends her agent, Sallyanne Sweeney of Mulcahy Associates (London). She says she’s ‘supportive, thorough, creative, knowledgeable & really champions her authors. And she really loves children’s/YA literature too – always a bonus!’

Let's hear from some other Irish writers:

Dave Rudden: 'I'm with Clare Wallace at Darley Anderson - can't recommend her enough!'

Clare also represents Olivia Hope.

Shirley McMillan: 'My agent is Jenny Savill at Andrew Nurnberg Associates. She is wonderful.'

Jenny also represents Nigel Quinlan.

Sinéad O'Hart is represented by Polly Nolan who is also recommended by Louis Stowell.

Celine Kiernan says: 'I changed agencies late 2015. I am with Sallyanne Sweeney now, of Mulcahy Literary Agency. Have worked with her on two books now and find her wonderful.'

Sheena Wilkinson: ‘Faith O'Grady. Not a children's specialist -- handy as I am writing adult now, but very supportive and approachable. Based in Dublin.’

Sheena Dempsey says:  ‘Felicity Trew is absolutely brilliant, a determined bulldog but with a lovely manner and thorough to the last where contracts are concerned. Incredibly supportive where editorial and art direction are concerned. Always pushes for better terms. Top marks.’

Marianne Gunn O'Connor represents Shane Hegarty and Cecelia Ahern. 

OTHER RECOMMENDED AGENTS - UK AND INTERNATIONAL WRITERS

Cathy Cassidy is represented by Darley Anderson and highly recommends him.

Eve Ainsworth:  'I'm with Stephanie Thwaites at Curtis Brown, she's fab.'

Russell Sanderson and Lu Hersey recommend their agent, Ben Illis.

Zana Fraillon recommends her agent, Claire Wilson.

Julia Churchill at A M Heath who says 'my speciality is checking if people need to go to loo before meetings.' I have met Julia several times and she is a funny and smart woman who knows her onions. Well worth sending your manuscript to. Nikki Sheehan says Julia 'would win against 100 horse sized ducks.' 

Jo Nadin says: ‘I love Julia Churchill without reservation. She’s quietly kickass, clever, kind, and, best of all, listens.’

Mark Burgess: 'I’m represented by excellent & wonderful Nancy Miles of Miles Stott Children's Literary Agency. She also represents Gill Lewis & Frances Hardinge.'

Sarah McIntyre: ‘I'm represented by Jodie Hodges at United Agents, she's brilliant! I couldn't do without her, she keeps my life in order.’

Catherine MacPhail says: ‘Caroline Sheldon. Always keeps in touch. Great agent.’

Cathy Brett says ‘And Felicity Trew, Caroline's co-agent. A little terrier!’

Mary Hoffman: ‘ It was Pat White and, since her retirement, is now Claire Wilson, both of Rogers, Coleridge and White.’

Also recommend are:

Eve White, Eve White Literary Agency

Catherine Clarke at Felicity Bryan

Robert Kirby at United Agents

Jodie Hodges at United Agents (recommended by William Bee); Catherine Mary Summerhayes, Jo Unwin and Clare Conville at United Agents

Hilary Delamere at The Agency

Lindsey Fraser at Fraser Ross

Gemma Cooper at The Bent Agency

Penny Holroyde at Holroyde Cartey

Elizabeth Roy – www.elizabethroy.co.uk

Laura Cecil – www.lauracecil.co.uk

Madeleine Milburn – www.madeleinemilburn.co.uk

Sam Copeland and Claire Wilson at Rogers Coleridge and White – www.rcwlitagency.com

Good luck with finding a great agent!

How to Pitch to Book Festivals - Practical Tips for Children's Writers and Illustrators 2021

 This blog was prepared for the Children’s Books Ireland Artists’ Coffee Morning in May 2021

They are updated from a 2018 notes and I do hope they are helpful! Here’s me at a book event for young children and their families, showing them how to make a baby owl.

Schedule of Programming

Many book festivals start programming over six months in advance. Many key names would be in place many months in advance for the children’s programme: ie RJ Palacio (Wonder), Oliver Jeffers. I am starting to programme for November (WonderFest) now (May).

If you are thinking about approaching a festival (and more on how to do this in a moment), make sure you don’t leave it too late. I would suggest at least 4 months before the festival is on.

I am lucky to be sent early proofs which I read carefully. If you have written a brilliant, original and exciting book you have a good chance of being invited to a book festival. FOR ME IT ALL STARTS WITH THE BOOK.

 If you remember one thing when it comes to events – remember this – IT’S NOT ABOUT YOU, IT’S ABOUT THE AUDIENCE. You are almost irrelevant. The only people who matter are the children or young people in front of you.

 What I Am Looking For:

1/ Strong, award-winning names for individual events and panels – esp writers who have written outstanding books eg Eoin Colfer, Oliver Jeffers, Katherine Rundell, Robin Stevens.

Many festivals like to vary the writers they invite every year (although in the children’s world, the audience changes every 2 or 3 years – as they grow up!)

 2/ Writers who are excellent at performing for school audiences and who have a strong body of work behind them. Experience is key for school events in a theatre (or in any venue or online). Ex-teachers or actors can be particularly good, people who can also draw are useful. Eg Marita Conlon McKenna, Judi Curtin, Alan Nolan.

 3/ Exceptional storytellers eg Dave Rudden and Marianne McShane.

 4/ Exceptional workshop leaders eg Claire Hennessy, ER Murray, Eve McDonnell. The best ones engage 100% with the young writers/illustrators and bring something unique to their workshops.

 5/ New/newish writers for panel events featuring new voices –  eg Paddy Donnelly, Adiba Jaigirdar.

 6/ New voices from a wide range of communities - representing all writers, illustrators and readers. Voices from the Travelling community for eg.

 7/ Exceptional picturebook makers to give talks/workshops to children and also masterclasses to adults eg Yasmeen Ismail, Chris Judge, Chris Haughton.

 8/ Unusual and original book related events. Esp non-fiction events in fact – history, natural history, science, maths. Come up with a unique and inspiring event and practice, practice, practice.

 9/ Artists who are willing to work hard and go the extra mile. Artists who will muck in. Artists who offer to fill in for other artists when there’s a last minute illness or delay. Artists who are fun to work with and above all, professional. I’ll never forget Sarah McIntyre and Philip Reeve mucking in at one of the festivals I programmed when one of speaker’s children was rushed to hospital. They did his events for him.

 10/ Strong local talent – writers, poets, storytellers, illustrators, picture book makers and more. Experienced and debut writers alike.

 What I Am Not Looking For:

 1/ People with no experience. Get out there. Start with your local school or library and build up your experience. See below for some ideas.

 2/ Writers of books I have not read or heard of (if you’re a new writer, please ask your publisher to send me your book). If you’ve written an amazing book, you have a great chance of being invited to a festival on that basis alone.

 3/ People who think a book event means standing and reading your book for 40 mins and then taking some questions. Unless you are J K Rowling or Jacqueline Wilson, this will not work.

 I’m a Self-Published Writer, Can I Apply to Appear at a Festival?

 Many festivals are curated festivals. This means the curators select the artists. Yes, you can apply to appear, if you think you can offer something original and exceptional. Your book must be professionally produced, an excellent read and widely available - children deserve the best literature we can give them. But please note that very few artists who apply directly are selected; most artists are invited. This goes for all writers, not just self-published writers.

What I’d Love to See More Of:

1/ Non-fiction events – science, natural history, history. If your book is fiction, you can still offer a festival a non-fiction event. I put together an event called ‘Talk Like a Dolphin, Sing Like a Whale’ for festivals/schools – based on whale and dolphin communication. I deliver Blazing a Trail events based around remarkable Irish women.

 I’d love to see some interesting science or nature book events offered to me, or workshops around diversity or equality.

 2/ Innovative workshops – offer me something different and put time and passion into developing your idea. Again, you need experience. Offer to present your workshop at a local school. Ask the students and teachers for feedback.

 For eg in the past I have created a Book of Kells workshop for Hay Festival in Kells, with real vellum and swan quills; a Jane Austen workshop for mothers and daughters. Be inventive! The more prep work you put in, the better a workshop or event will be.

 3/ Innovative pairings – dancers, musicians, artists, puppeteers, other writers. For eg  I teamed up with Judi Curtin and we talked about our friendship at lots of the major festivals. It was our ‘Friendship Tour’. Previously we have toured with Oisin McGann (The Ideas Shop and The Magical History Tour) and Sophia Bennett (Your Wildest Dreams Tour). Team up with someone interesting and put together a cracking event. It’s also a lot of fun!

 4/ Events for children with special needs. In previous years I put together a How to Catch a Star workshop with Deirdre Sullivan for children with autism.

 5/ Early years events and workshops  – age 0 to 5 for the whole family to attend and enjoy. There is a growing demand for quality, creative events for very young children and their associated grown up/s.

In fact FAMILY events in general, designed to entertain and inform the whole family, are also something I am very keen to see more of.

 6/ Events that are DESIGNED for online audiences – especially schools but also families. Innovative, fun, engaging online events, both live and pre-recorded.

 How to Apply to a Book Festival:

 Before you do – research the festival and make sure it actually programmes the kind of event you are thinking of offering. Start local.

 1/ It’s best to apply thorough your publisher if you can. Tell your publisher you are interested in appearing at (X) festival and ask them for their opinion. They will either a/ say yes, great idea or b/ suggest you might need a little more experience. If their answer is b – go off and get that experience and go back to them.

 2/ Be a festival supporter - it’s important to attend and support festivals if you’d like to appear at them. You also learn a lot by watching and listening to other artists doing events. Take a notebook along and jot down things that work and things that don’t work. You could even volunteer to help at a festival.

 3/ Make a demo video of yourself in action and upload it to You Tube. Nothing fancy – you can take it on your phone. Let programmers see you in action. Make sure your social media is up to date and reflects who you are as a writer – yes, we do check you out on Twitter or Instagram!

 4/ If you don’t have a publisher, you can apply yourself. Email the children’s curator/programmer c/o the festival email - outlining your book, the events you’ve done and what you can offer them: workshops, events etc.

 It is vital to have a professional photo to send festivals for their brochure. It must be high res, clear and should show something of your personality. Ask someone to come along to one of your events and take an in-action photo if possible.

 The blurb for your event and your biog should be short, well written and relevant. I rarely get sent interesting titles for events – be the one who sends me something unusual and clever!

 Tips for Events: If You Have No Experience – Go and Get Some

 Prepare an event and deliver it in creches, schools, libraries. Anywhere that will have you. Make your mistakes early and learn from them. This is the only time you should be offering free events.

Ask an experienced writer if you can shadow them. Or go to events at festivals and see how other writers do it. Learn from them and then come up with your own event.

Ask the teachers to give you an event ‘reference’ eg ‘Nishna Bandari was wonderful. She kept JI and SI highly entertained with her stories about Indian animals and they learned a lot in a fun and innovative way.’

Prepare a script for your event and practice it until it’s perfect. Most events are around 60 mins. Break this down: 20/30 minutes talking is perfect. Add 1 or 2 x 5 min readings within or after the talk (never more) + 15/20 mins for questions at the end. Use images – children are highly visual.

Your event is not a hard sell for your book. In fact some of the best talks I’ve ever heard are not about the artist’s book at all. Eoin Colfer is one of the best in the business (watch him in action on You Tube) and he rarely mentions his books.

Think about using props, music, dance, theatre, images (although powerpoint presentations can go wrong so always be prepared to deliver your event without it), whatever you are comfortable with.

Think about looking visually appealing to children (see Sarah McIntyre and Philip Reeve’s costumes).

 Growth Areas:

Online events

Events for babies and toddlers and under 7s

 Family events that the parents will enjoy as much as the children – eg Monster Doodles, innovative storytelling.

 Events that combine mindfulness with books; music with books; dance with books

 Events for children with autism

 Sports writing workshops for children; screen writing workshops for children; animation workshops for children – also the same for teens. Innovative workshops for children.

Brilliant school events that can be delivered online

 What Some of the Festivals and Programmers are Looking For:

 Writers’ Week, Listowel:

We would love any writers to contact us either through their publisher or directly themselves, but we would like a brief biog about themselves and their writing included.

The events that we are looking for are fun, interactive events, and creative writing workshops.

 Aoife Murray, Children’s Books Ireland

How to approach a festival: For me I don’t mind if it’s via agent/publisher or on your own bat as long as the contact is respectful, informative and useful to my purposes eg: I want to know what age you do events for, what type of events you prefer and how much you want to charge. I feel it’s essential to research the festival to see if you suit it, otherwise you are banging on a closed door and it’s important to remember that the programmer has a vision and if you don’t fit it, that’s unfortunately just how it is on this occasion.

 Events we’re looking for: Something more than the standard reading and signing, as this doesn’t generally work for younger audiences. In demand at the moment are events for 0-2 and 5-8.

Sample Pitch

A Sailor Went to Sea, Sea, Sea:  Family Rhyme and Art Fun with Sarah Webb and Steve McCarthy                   Age 5+ and the whole family    30 minutes

Join writer, Sarah Webb and illustrator, Steve McCarthy for this interactive event for the whole family. Revisit favourite childhood rhymes and songs such as She’ll Be Coming ‘round the Mountain (an American song with a very interesting Irish link), A Sailor Went to Sea, Sea, Sea and The Owl and the Pussycat, and discover new ones from Ireland and beyond. Join in the skipping (jump rope). Watch Steve draw owls, pussycats, boats and sailors, and draw along; and create your own colourful sailing ship. Sea-filled fun for everyone!

 Workshop Details:

This workshop is designed to give children a playful and engaging creative experience. Songs, rhymes and poems are part of every child’s literary heritage and we will share them with the audience in a novel, interactive way. Most importantly we aim to make the event dynamic, playful and inspiring for the audience.

 Step by Step Guide to the Workshop:

Sarah and Steve will welcome the children and associated adults as they arrive and give each of them a personalised name sticker. When all the participants have arrived Sarah will share some favourite rhymes and songs from A Sailor Went to Sea, Sea, Sea with the audience and Steve will draw along.

Steve will then show the audience how to a sea creature and the audience will draw along.

Sarah will then turn a skipping rope and encourage the children and adults to join in some Irish skipping games – including Cross the Crocodile River and Teddy Bear, Teddy Bear.

Finally they will help the children create their own sailing ship using collage materials – felt, coloured card, scraps of material, metallic paper, lollypop sticks and straws.

 Watch the experts in action:

Sarah McIntyre and Philip Reeve

Katherine Rundell

Eoin Colfer

Robin Stevens

The KPMG Children's Books Ireland Awards 2021 (books from 2020)

The KPMG Children’s Books Ireland Awards shortlist will be announced next week - Tues 9th March. For more on the awards see here.

Here are the titles I think will be shortlisted. I do this some years, just for fun! Let’s see how many I get right.

My tip for book of the year - The Monsters of Rookhaven by Pádaig Kenny or On Midnight Beach by Marie-Louise Fitzpatrick - both remarkable books.

My predictions for the shortlist:

1/ Would You Like a Banana? by Yasmeen Ismail - for it’s vibrant artwork and clever story for young readers.

2/ Only a Tree Knows How to Be a Tree by Mary Murphy - Murphy’s book is deceptively simple and her illustrations are joyful and and full of wonder.

3/ What We’ll Build by Oliver Jeffers - Jeffers is a world class picturebook writer/illustrator and this one is another winner.

4/ Elsetime by Eve McDonnell (Eilis Dillon Award?)

5/ The Monsters of Rookhaven by Pádraig Kenny, illustrated by Edward Bettison - this is my book of the year - it MUST be shortlisted or there is no justice!

6/ The Gone Book by Helena Close - really strong YA novel.

7/ Why the Moon Travels by Oein DeBharduin, illustrated by Leanne McDonagh - beautifully written Traveller tales - one of my favourite books of the year.

8/ On Midnight Beach by Marie-Louise Fitzpatrick - one of the best YA novels of 2020 - another MUST!

9/ Savage Her Reply by Deirdre Sullivan, illustrated by Karen Vaughan - simply stunning.

10/ Míp by Máire Zept and Paddy Donnelly - a terrific picturebook with strong text and wonderful illustrations.

Others that might be shortlisted:

Chasing Ghosts by Nicola Pierce - a really story historical novel with some great writing.

Queen of Coin and Whispers by Helen Corcoran (Eilis Dillon Award)

Songs for Our Sons by Ruth Doyle and Alison Lindsay

Geansaí Ottó by Sadhbh Devlin and Róisín Hahessy

To the Island by Patricia Forde and Nicola Bernadelli

The Great Irish Farm Book by Darrah McCoullough, illustrated by Saly Caulwell

The Boldness of Betty by Anna Carey

While We Can’t Hug by Eoin McLaughlin and Polly Dunbar

Have You Seen the Dublin Vampire? by Úna Woods (Eilis Dillon Award?)

The Dead Zoo by Peter Donnelly

The Haunted Lake by P J Lynch

Irish Fairy Tales by Kieran Fanning

Break the Mould by Sinéad Burke, illustrated by Natalie Byrne

Children's Book Salon Thursday 28th January - Paul Howard, Alan Nolan, Emma Carroll, Lesley Parr and Lorraine Levis in Conversation with Sarah Webb

#ChildrensBookSalon on Thursday 28th January at 7.30pm on Zoom

Special Guests: Paul Howard, Alan Nolan, Emma Carroll, Lesley Parr and Lorraine Levis

Full details below

7.30pm to 8.30pm (on Zoom)  

Let’s talk children’s books and stay connected!

Cost: e5 which can be redeemed against our speakers’ books (purchased via Halfway Up the Stairs website) or will be donated to CBI

Tickets on sale now on the Halfway Up the Stairs website here.

More about the Children’s Book Salon:

Online talks and conversations celebrating Irish and international children’s books, writers and illustrators.

Discover new Irish and international children’s titles and hear experienced children’s writers and illustrators talk about their craft.

Love children’s books? Want to connect with and learn from talented Irish children’s writers and illustrators? Want to kick start your own creativity and/or write a children’s book? Join us!

More about our guests:

Paul Howard will talk about his latest book Blue Thunder from the Gordon’s Game series and his forthcoming book, Aldrin Adams and the Cheese Nightmares.

Alan Nolan will share illustrations from his latest book, Animal Crackers, written with Sarah Webb and talk about his recent online events and drawing videos and how he’s making the internet his own.

Emma Carroll and Lesley Parr will talk about their new historical novels for children, The Ghost Garden and The Valley of the Lost Secrets with fellow writer, Sarah Webb.

And Lorraine Levis will share some of the 2021 children’s titles she is most excited about.

First Children's Book Salon - 14th January - Blog by Ruth Ennis

2021 is already off to a fantastic start in the world of children’s books with a hugely successful inaugural event in the new series Children’s Books Salon. Curated by author Sarah Webb and bookseller Trish Hennessy of Halfway Up the Stairs, this fortnightly event showcases some of the best authors, illustrators, and all-round children’s books enthusiasts that 2021 has to offer. This week Sarah Webb interviewed Natasha Farrant and Chris Haughton, with presentations from booksellers Trish Hennessy and David O’Callaghan as well.

            Natasha Farrant is an author of teenage / young adult novels and, more recently, middle-grade fiction. She is also a literary scout. Her published works include the Diaries of Bluebell Gadsby and the Lydia series, The Children of Castle Rock, her upcoming book The Girl Who Talked to Trees and many more. Her 2020 middle-grade novel Voyage of the Sparrowhawk won the Costa Children’s Book Award, with the judges calling it "a modern classic" and "a book that makes you fall in love with reading".

            Natasha spoke about where her inspiration for her stories comes from. In the case of Voyage of the Sparrowhawk it originated from the light-hearted suggestion that she write about her friend’s chihuahua. Natasha talked about her process in creating a unique narrative voice with a light but significant presence in her books. She spoke about the importance of showcasing themes of agency in children’s books, a message Natasha took from the works of Enid Blyton. She expressed how she wanted to write stories about children who are capable of changing the world, referencing the work of child climate change activists such as Greta Thunberg. She concluded her interview with advice for aspiring children’s writers who may be struggling to write creatively in these unusual times: read often (her recommendations being Journey to the River Sea and The Secret Countess both by Eva Ibbotson) and to be kind to yourself while holding yourself to a sense of structure.

            Trish Hennessey then presented her top 20 books of 2020, noting that a significant number of books on this list were created by Irish authors and illustrators. It demonstrated the influence that comes from booksellers advocating for and hand-selling their favourite titles, particularly from independent bookshops. Elsetime by Eve McDonnell was mentioned to be their favourite book of the year. The full list can be found on the Halfway Up the Stairs website here.

            Chris Haughton was the next guest to be interviewed. With his bold, vibrant, technicolour illustrations and perfect comic timing, Chris Haughton is one of the most popular authors and illustrators working today. His infamous picture books include Goodnight Everyone, Shh, We have a Plan, A Bit Lost, Oh No, George! Don’t Worry Little Crab, and his upcoming book Maybe.

            Chris spoke about his creative process when illustrating his picture books, which involves him sitting out in the back garden of his London home, surrounded by nature, ripping up sheets of sugar paper, and making collages that will eventually form his distinctive artistic style. He mentioned that the idea for his upcoming book Maybe appeared around the same time as his 2019 book Don’t Worry Little Crab but emphasised that he wanted to tell a story with a bit more “peril” than his usual books – in a fun and charming manner, of course! Attendees of this event were treated to a sneak peek of Maybe where Chris read through his hilarious story about pushing your limits and lots of monkey-business.

            The last guest of the evening was David O’Callaghan, Children’s and Teen Books Buyer of Eason, or as he is better known, The King of Children’s Books. David gave an excellent presentation of all the books to look out for in 2021, from picture books to young adult novels. For picture books, he looks forward to Books Make Good Pets by John Agard and Momoko Abe, The Whale Who Wanted More by Rachel Bright and Jim Field, and Oscar the Hungry Unicorn Eats Easter by Lou Carter and Nikki Dyson. For early readers (5+ years) he comments on the popularity of “Yemo” (Young-Emo) and graphic novels, with new additions to the Isadora Moon and the new Mirabelle series by Harriet Muncaster, the Dogman series by Dav Pilkey, and the Bunny vs Monkey series by Jamie Smart to watch out for. In middle-grade novels (8+ years) David recommends Amari and the Night Brothers by B. B. Alston, Aldrin Adams and the Cheese Nightmares by Paul Howard and Lee Cosgrove. For teen and young adult readers, he is looking forward to the release of What Love Looks Like by Jarlath Gregory and The Supreme Lie by Geraldine McCaughrean. When asked about his favourite YA book of 2020 and most anticipated YA book of 2021, he named Savage Her Reply by Deirdre Sullivan and Ace of Spades by Faridah Abike-Iyimide respectively.

            The next Children’s Book Salon is certainly one to look forward to. Details for the next event can be found on the Halfway Up the Stairs website.

With thanks to Ruth Ennis for this log

Children's Book Salon Launches on Thursday 14th January 2021 with Natasha Farrant, Chris Haughton and David O'Callaghan

Hosted by children’s writer, Sarah Webb, in association with Halfway Up the Stairs Children’s Bookshop

Every Second Thursday from 14th January

7.30pm to 8.30pm (on Zoom)  

Let’s talk children’s books and stay connected!

Cost: e5 which can be redeemed against our speakers’ books (purchased via Halfway Up the Stairs website) or will be donated to CBI

Tickets on sale from Monday 11th January on the Halfway Up the Stairs Website

 Online talks and conversations celebrating Irish and international children’s books, writers and illustrators, delivered on Zoom.

Discover new Irish and international children’s books and hear experienced children’s writers and illustrators talk about their work.

Love children’s books? Love writing or illustrating? Want to kick start your own creativity? Join us!

Special Guests:

14th January 2021 7.3-pm to 8.30pm - Natasha Farrant, Chris Haughton and David O’Callaghan

Costa Award Winner, Natasha Farrant will talk about The Voyage of the Sparrowhawk and her love of adventure stories.

Chris Haughton will share his new picture book, Maybe, coming in 2021 and Don’t Worry, Little Crab (out now) .

David O’Callaghan, Children’s and Young Adult Book Category Manager for Eason (or King of Children’s Books as I like to call him!) will talk about the most exciting 2021 titles coming soon for young readers .

See you at our first salon! Thanks to Alan Nolan for our logo!

Yours in books,

Sarah

How Books (and Three Book Angels) Changed My Life!

I wrote this for Children’s Books Ireland recently to promote their Books Make Things Better campaign. I truly believe books do make things better. They changed my life!

My mother has always been a squirrel, hoarding my childhood bits and bobs, from picture books to baby clothes,  squiggly ‘paintings’ I did as a toddler, and my earliest attempts at writing.

Recently she handed me a large brown padded envelope full of memories. Ephemera, long forgotten notebooks, greetings cards, drawings, school reports, postcards  - things  I never dreamed I’d ever see again and one item threw me back in time so strongly I was almost floored.

It was the letter I’d written my parents at age twenty-four when I first found out I was pregnant, a letter so full of emotion I’m welling up now even thinking about it. I was too afraid to talk to them in person, so I took to pen and paper to tell them the news. The news that burned inside me and threatened to ignite me.

But as anyone who loves children’s books (The Phoenix and the Carpet) or Greek mythology will know, out of the fire rises the phoenix. And it was because of my baby son and the bravery and hope and at times audacity it took to raise him a young single mum that I became a published writer. And because of three book angels.

I’ll explain. Since the age of around ten I’d written stories and poems, and as a teenager I’d kept daily diaries. I’d published pieces in the school magazine but by the time I’d left school and entered college (History of Art and English at Trinity College Dublin) I became less confident about my writing.

I’d sent what I thought was a chatty, newsy letter to a friend in America who I respected deeply and she’d replied ‘Is this a joke? You sound about eleven. What’s with all the weird kiddo stuff?’ I have never, ever forgotten it.  Now when I talk to young writers and to adults about their work I always remember that words matter, that kindness matters, and that everyone’s writing voice should be respected.

So, back to getting published. At twenty-five I found myself the single but very proud mother of a new born baby, Sam. I was running the children’s department in Waterstones at the time and to cut a long story short, I needed money to buy a car to get Sam to and from his minders. I was barely coping on the bookselling wage so I needed a second job I could do in the evenings and weekends, while Sam slept to be able to afford a car. Out of desperation, I rang Southside News and asked if I could write for them. The kind editor, Ken Finlay (the first book angel in this story) said yes. It gave me the confidence to try writing a children’s book, which taken on after many other rejections by the second book angel in this story, Reena Dardis of The Children’s Press. The third book angel was the remarkable Robert Dunbar who introduced me to Children’s Books Ireland and the wider world of the Irish children’s book community, where I have made life-long friends.

Over twenty years later I have published close to forty children’s books, from rhyme and poetry collections for young children such as The One with the Waggly Tail, illustrated by Steve McCarthy, which is out this October, to animal fact books like Animal Crackers (with Alan Nolan), teen novels (the Ask Amy Green series), middle grade books like The Songbird Cafe series. I’m currently writing a novel for children set in Ireland in the 1900s. It’s been quite the journey.

I am very lucky to have an agent (Philippa Milnes- Smith of The Soho Agency in London) and publishers who are happy for me to write up and down the age groups and to tackle any theme or subject that interests me. For me, a book (for any age) starts with a thought or an idea, followed closely by knowing I have something I want to say to children about that subject. I’ve found if I’m passionate about a subject, the book will work.

I let my books make their own way in the world and I don’t put pressure on them to pay the bills. That way I can write the books that are in my heart, the ones that mean the most to me, not the ones that might pay the most. As well as writing I programme books festivals, work with MoLI (Museum of Literature Ireland) on their Bright Sparks family programme, teach creative writing to both children and adults, and visit schools and libraries, talking about writing and my books and hosting creative writing workshops. Monday and Tuesday are my writing days, Wednesday to Saturday are for other work.

Each book has its own genesis. I wrote Blazing a Trail: Irish Women who Changed the World (illustrated by Lauren O’Neill) to tell children about President Mary Robinson and all the other remarkable Irish women whose shoulders we stand on. It came out in 1918, the year we celebrated the centenary of votes for women.

My latest book, The One with the Waggly Tail, illustrated by Steve McCarthy, is a collection of rhymes, poems and songs, both Irish and international. My first collection of such rhymes, Sally Go Round the Stars (with Claire Ranson and Steve McCarthy) was put together to make sure Irish children had access to rhymes and poems from Ireland at a young age.

Rhymes and songs are part of every family’s history. They help create the story of who we are and where we come from. Sharing them with young children introduces babies and toddlers to a rich tapestry of sounds, words and rhythms.

And to me that’s what children’s books are all about: exploring and sharing the story of who we are and where we came from. My books are part of me and I am part of them. It’s there laid bare for all to see – what I care about most is in my books: family, friends, remarkable Irish women, whales, dogs, history, dreams, creativity, bravery, courage. Read them and you read me.

Sarah Webb’s latest books are Animal Crackers with Alan Nolan and The One with the Waggly Tail, illustrated by Steve McCarthy, both published by The O’Brien Press.