All Star Irish Line Up - Beyond the Stars - to Support Fighting Words

Roddy Doyle

Harper Collins Press Release HARPERCOLLINS PUBLISH ALL STAR IRISH LINE UP IN SUPPORT OF RODDY DOYLE’S CREATIVE WRITING CENTRE AND SEEK NEW TALENT TO COMPLETE THE COLLECTION HarperCollins is delighted to announce the acquisition of Beyond the Stars, a collection of short stories from a stellar line up of Irish authors and illustrators, edited by bestselling author Sarah Webb. World rights were acquired by Publishing Director Ruth Alltimes from Philippa Milnes-Smith of the Lucas Alexander Whitley Agency.  All profits will go to Fighting Words, the centre for creative writing set up in Dublin in 2009 by Roddy Doyle and Sean Love. Based on David Eggers’ US-based 826 Valencia project and run by volunteers, it offers free creative writing tuition to children. Beyond the Stars features twelve tales of adventure, magic and wonder, written by some of the most outstanding talents in children’s fiction today, including John Boyne, Eoin Colfer, Judi Curtin, Roddy Doyle, and Derek Landy, with stunning illustrations from the likes of Chris Haughton, Chris Judge, P. J. Lynch and Niamh Sharkey. It will be published as a gorgeous hardback gift edition in October 2014. The Irish authors have contributed eleven short stories and to complete the book HarperCollins is launching a search for the twelfth and final winter-themed tale, to be written by a child between the ages of 8 and 16. The competition closes at the end of June 2014 and the final choice will be made by a panel of experts and illustrated by Irish Children’s Laureate, Niamh Sharkey. The winner will have the chance to work with an editor and see their story published; their school will also win a selection of books for their school library. Full details can be found at http://www.harpercollins.co.uk/beyondthestars. Ruth Alltimes said, ‘We are proud to be able to support the wonderful work done by Fighting Words and to bring our publishing passion to a project which builds on the strong relationship we have with Irish talent. Sarah Webb and the writers and illustrators involved have been extremely generous with their work and time – it is truly a creative writing project from the heart, and we’re delighted to be part of it.’ Sarah Webb said, ‘It has been a pleasure and a privilege to work with some of the best children’s writers and illustrators on Beyond the Stars. I am extremely grateful for their support. I can’t wait to see the competition winner’s story nestling alongside their stunning work – what a prize!’ Roddy Doyle said, ‘Fighting Words is not state funded, and our existence is dependent on people who believe passionately in what we do – like the writers and illustrators of these brilliant stories. We are especially grateful to a great friend of Fighting Words, Sarah Webb, the creative and driving force behind this wonderful collection.’

Issued by: Mary Byrne, Publicist, HarperCollins Children’s Books T. 020 8307 4541  E. mary.byrne@harpercollins.co.uk Rights Enquiries: Carla Alonzi, Head of Rights, HarperCollins Children’s Books T. 020 8307 4289  E.  carla.alonzi@harpercollins.co.uk NOTES TO EDITORS • HarperCollins UK publishes a wide range of books, from cutting-edge contemporary fiction, to block-busting thrillers, from fantasy literature and children’s books to enduring classics. It also publishes a great selection of non-fiction titles, including history, celebrity memoirs, biographies, popular science, dictionaries, maps, reference titles and education books, and its digital business is thriving. With nearly 200 years of history HarperCollins publishes some of the world’s foremost authors, from Nobel prizewinners to worldwide bestsellers. In addition it publishes the works of Agatha Christie, JRR Tolkien and CS Lewis. It was the first major UK trade publisher to go carbon neutral in December 2007. HarperCollins Children’s Books is one of the leading publishers of children’s books, recognised for nurturing new talent as well as boasting a reputable list of established best-selling authors. Respected worldwide for its tradition of publishing quality, award-winning books for young readers, HarperCollins is home to many children’s classics, including The Chronicles of Narnia, Hello Kitty, the Paddington stories, The Cat in the Hat and The Tiger Who Came to Tea, and to some of the biggest names in children’s literature past and present, including J.R.R. Tolkien, C.S.Lewis, Dr. Seuss, David Walliams, Derek Landy, Louise Rennison, Lauren Child, Judith Kerr, Oliver Jeffers and Michael Morpurgo.

Mad About Books - Raising a Child Who Loves to Read

I'm at the Hong Kong International Young Readers Festival in March. I'm giving a talk to parents on raising a child who loves to read. This is the recommended book list for that talk.

 Mad About Books – Raising a Child Who Loves to Read

Hong Kong International Young Readers Festival 2013

Recommended Titles

1/ Babies and Toddlers – Birth to Age 2+

Sing them lullabies, read them nursery rhymes

A good nursery rhyme book – with art work you love – eg Sally Go Round the Stars (Sarah Webb – Irish)

Yummy Yucky by Leslie Patricelli (Board book)

Where’s Spot? By Eric Hill (Board book) 2/ Toddlers of Age 2 +

Very Hungry Caterpillar by Eric Carle

Owl Babies by Martin Waddell (Irish)

Ten Little Fingers and Ten Little Toes by Mem Fox and Helen Oxenbury

A Bit Lost by Chris Haughton – (Irish)

Other books to try: We’re Going on a Bear Hunt – Michael Rosen Farmer Duck – Martin Waddell Alfie’s Feet – Shirley Hughes Dear Zoo – Rod Campbell

3/ Younger Children – age 3 or 4 +

Fairy Tales – invest in a good collection

Oliver Jeffers – Lost and Found, The Heart in the Bottle (Irish)

Chris Judge – The Brave Beast (Irish)

Mo Willems – Knuffle Bunny, Don’t Let the Pigeon Drive the Bus

Where the Wild Things Are by Maurice Sendak

Niamh Sharkey - Irish Children's Laureate  and picture book maker

Other titles to try: Clarice Bean, That’s Me – Lauren Child Olivia by Ian Falconer There are Cats in this Book by Vivian Schwarz Madeline by Ludwig Bemelmans Lunchtime by Rebecca Cobb (a new picture book maker) Wolves by Emily Gravett Dogger by Shirley Hughes Harold and the Purple Crayon by Crockett Johnson The Tiger Who Came to Tea by Jill Kerr I Want My Hat Back by Jon Klaussen Marshall Armstrong is New To Our School by David Mackintosh (Irish) Busy Busy World by Richard Scarry The Brave Beast by Chris Judge (Irish) The Gruffalo and other picture books by Julia Donaldson

4/ Early Readers – Age 5/6+

Series books for very first readers:

Elephant and Piggie Series by Mo Willems

The Cat in the Hat and other books by Dr Seuss

Books for young readers to read for themselves:

Roddy Doyle’s The Giggler Treatment (Irish)

The Worst Boy in the World by Eoin Colfer (Irish)

Judy Moody series by Megan McDonald

The Worst Witch series by Jill Murphy 5/ Books to Read Aloud to Age 5+

The Secret Garden, Ballet Shoes and any of your personal favourite classics as a child.

Charlotte’s Web by E B White

Tom’s Midnight Garden by Philippa Pearse

The Butterfly Lion by Michael Morpurgo

Roald Dahl - Fantastic Mr Fox and Matilda – pick the Dahl titles that you love the most

If they like Dahl they might also like David Walliams – who has written books like Mr Stink

6/ Confident Readers of 9+   J K Rowling Eoin Colfer (Irish) Anthony Horowitz Percy Jackson series by Rick Riordan Derek Landy – Skulduggery Pleasant (Irish) Diary of a Wimpy Kid by Jeff Kinney The Tom Gates series by L Pichon – great for Wimpy kid fans

Family/friendship books: Cathy Cassidy Jacqueline Wilson Ask Amy Green series by Sarah Webb – age 10+ Judy Blume – Are You There, God? It’s Me, Margaret Judi Curtin (Irish)

Award winners: Wilderness by Roddy Doyle (Irish) The Graveyard Book by Neil Gaiman When You Reach Me by Rebecca Stead – age 10+

Other titles to try: Holes by Louis Sacher Walk Two Moons by Sharon Creech Northern Lights – Philip Pullman

7/ Older Readers of 11+

Wonder by R J Palacio

Patrick Ness – A Monster Calls The Knife of Never Letting Go

John Green – The Fault in Our Stars

The Arrival – Shaun Tan

The Boy in the Striped Pyjamas by John Boyne (Irish)

Other titles to try: Skellig – David Almond Maus by Art Spigelman (graphic novel) Coraline by Neil Gaiman The Hunger Games series Sabriel by Gareth Nix 8/ Books for Reluctant Readers

Audio books Where’s Wally? Quiz, joke and puzzle books Non fiction – sports biographies Captain Underpants by Dav Pilkey The Wimpy Kid books Sports magazines Playstation magazines 9/ Books for Tired Parents

That’s Not My series – published by Usborne

Hug by Jez Alborough

The Very Hungry Caterpillar by Eric Carle

Owl Babies by Martin Waddell 10/ Books for Parents Who Want to Know More

The Ultimate Teen Guide The Ultimate First Book Guide Both published by A and C Black

Babies Need Books by Dorothy Butler

Mad About Books: The Dubray Guide to Children’s Books by Sarah Webb www.dubraybooks.ie

More about Irish writers and picture book makers: www.childrensbooksireland.ie

Remember:

1/ Choose books that YOU love to read aloud to your children 2/ Be seen reading 3/ Talk about books with your children 4/ Make books part of your family’s history and everyday life

When Are You Going To Write a Proper Book?

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This piece first appeared in the Sunday Independent

When are you going to write a proper book - a book for adults? It’s a question every children’s writer is asked at some stage of their career. I started out writing for children, switched to adults, and now write for both. When the inevitable question was put, I'd explain children are the most discerning audience of all, children’s books are challenging and fun to write, and any author who doesn’t try it at some stage is missing out.   I am only one of a host of authors who write for both children and adults. J K Rowling’s debut adult novel, The Casual Vacancy, a dark comedy about local politics will be published on 27th September, quite a risk for someone with such a successful track record in the children’s book world.

Roald Dahl also wrote for adults and children, as do contemporary award-winners Philip Pullman, Neil Gaiman and most recently, Philippa Gregory. The American crime writers like James Patterson are all at it; and ex-SAS man Andy McNabb has produced a popular action/adventure series for younger readers.

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Under the Hawthorne Tree was an international hit for its creator, Marita Conlon-McKenna, followed by seven further bestsellers for young readers. Her latest book for children, Love Lucie (Simon and Schuster) has just been published and she is currently working on her next adult novel, The Rose Garden. So why did she turn to adult fiction after so much success in the children’s world? “The Magdalen (Marita’s first adult novel, about the laundries for unmarried mothers) was a story I’d always wanted to tell,” she explains. “But because of the harsh subject I couldn’t write it for children or even teenagers. It was very successful and my publishers asked me to write another book for adults.”

“For me,” she continues, “the story decides the age group, not the other way around, I’m driven by story; and my publishers give me great freedom to write what I want. Irish writers don’t seem to get labelled or pigeonholed as much as other writers – they can write plays, musicals, screen plays and it’s very acceptable. In other countries they seem to like their writers to stay in their box. Irish writers are an unknown quantity, no-one knows they will do next.”

Like Marita, Wexford man, Eoin Colfer of Artemis Fowl fame always wanted to be a writer first and foremost, not a ‘children’s writer’. “I have had different stories in my head,” he says, “some suitable for kids, some for adults. I think because I have such an outlandish or maybe juvenile imagination some of my stories are definitely only for children, but recently some of the more complicated stories have been pushing themselves to the front of my brain. I also will admit to feel a little pressure (self-imposed) to write a book for grown-ups.”

Switching from writing for adults to writing for children is more usual and Judi Curtin, author of the popular Alice and Megan series did just that. Her first book Sorry, Walter was for adults but after finishing her second adult novel she wanted to write something that her daughters could read. “It was supposed to be a temporary change,” she says, “but it snowballed.” She has now written thirteen children’s books but is also exploring the adult world again. “There’s a story I’d like to tell which isn’t for children,” she says.

The Giggler Treatment, Roddy’s Doyle’s first book for younger readers was written to entertain his children. “I wrote a few pages towards the end of every working day,” he says, “and read them to them at bedtime, starting at the beginning every night.  It gradually became a book.” When asked will he continue to write for children, he says “I’m not sure.  My books for children have always been aimed at particular children - and children, I've noticed, tend to grow up and stop being children.  But if the ideas are there and, more importantly, the urge to put them on paper is there, I'll still give it a bash.”

John Boyne had never thought about writing for young readers until the idea for The Boy In the Striped Pyjamas came into his head. He says “The experience I had with that book – going into schools, getting children interested in reading – opened up my imagination in a new way and I found that I wanted to write for both audiences.” Like Roddy, he will continue to write for both audiences. “In fact I've just delivered a draft of my next adult novel to my editor. I'll be rewriting that over the next six months or so but I've just started a draft of a new children's book too.”

Master of children’s horror, Darren Shan also started out writing for adults. His first adult book, Procession of the Dead was published in 1999, a year before Cirque Du Freak (his first children’s book). “I had written a lot of first-draft books by that stage,” he says, “all of which were aimed at adults. I thought that was where my career lay, but I’d always wanted to try a children’s book. One day I had the idea for Cirque Du Freak and by the time I had finished the first draft, I had already decided to write another book for children.”

Darren now writes for both children and adults. “I’ve learnt so much about pacing and editing while working on my children’s books, which has fed back into the books I write for adults. I love the dichotomy of moving between the two worlds (adult’s and children’s publishing),” he adds, “and I would love to be able to continue doing that far into the future.”

When asked which adult writer he’d like to see writing for children, Darren immediately says “Kurt Vonnegut – he could have been a great children’s author if he had been that way inclined.” Roddy Doyle’s choice is Anne Enright. “Any book for children by Anne would be magical.” Marita Conlon McKenna suggests Marian Keyes, and John Boyne would love to see David Mitchell tackle children’s literature. “Knowing his extraordinary imagination and linguistic abilities, I think (it) would be something very special,” he says.

And finally Eoin Colfer nominates Colm Toibin. “I would love him to be forced to call me and ask for advice on pacing,” he says, “so I could churlishly hang up. It's the auld Wexford-Enniscorthy rivalry!”

Will Eoin ever get his chance? We’ll just have to wait and see.

Sarah Webb has two books out this month, Ask Amy Green: Dancing Daze for young teens (Walker Books) and The Shoestring Club for adults (Pan Macmillan).

Review of Roddy Doyle's New Book for Children

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Roddy Doyle

Roddy Doyle may be best known as an adult novelist but his children’s books have sold over half a million copies worldwide and have won him many plaudits, including an Irish Book Award in 2008 for 'Wilderness'. His latest book for readers of 10+, 'A Grey Hound of a Girl' is another award winner in the making.

This beautifully crafted and highly original book features four generations of the same family, three alive and one dead - twelve-year-old Mary O’Hara; her mother, Scarlett; Mary’s hospitalised granny, Emer; and finally Tansey (Anastasia), the ghost of Mary’s great-granny.

As the book opens, Mary, a strong, feisty and often ‘cheeky’ girl is bereft. Her best friend, Alva has just moved away and no-one understands how alone and cut off she feels. While walking past Alva’s empty house, Mary spots a woman dressed in old-fashioned clothing and stops to talk to her. As always Doyle’s simple yet telling description of the woman paints a vivid picture for the reader. ‘She was wearing a dress that looked like it came from an old film . . . she looked like a woman who milked cows and threw hay with a pitchfork.’ This woman, ‘shimmering as if she was stepping behind a sheet of clear plastic’ is the Tansey, one of the most ‘real’ and robust ghosts I’ve ever encountered in any book; with Tansey, Doyle rips up the ghost handbook and re-writes it.

The story moves from the present (narrated through Mary’s eyes), to the past, telling each adult woman’s story in turn, weaving in and out of time - describing Tansey’s life on the farm in her mid twenties, and how she died of flu when Emer was a toddler; and adding vivid, telling scenes from Emer and Scarlett’s childhoods. In the hands of a lesser writer this time travel could prove confusing, but in Doyle’s strong, confident hands it works perfectly and adds a depth and substance that makes this novel a stand out read.

All four women finally meet in the last quarter of the book when Mary and her mother, Scarlett sneak Emer out of the hospital to meet Tansey’s ghost. After Emer’s initial shock (and a very touching and funny reconciliation scene with her ghost mum), Emer wants to drive to Wexford to see the farm when she was raised (by her father after Tansey’s early death), and the four women take a road trip through the night. I won’t spoil the ending, but there is a deep sense of peace at the close of the book, a gentle quietness, of four lives that have all changed from the experience, and two that have come full circle.

Doyle’s dialogue is masterful – pithy, clever, direct and is one of the great joys of reading this book; and while I adored all four characters I fell in love with Tansey, a character I will never forget. Doyle uses the theme of mothers living on through their daughters to great effect – the lynchpin of a previous picture book ‘Her Mother’s Face’ in fact - ‘When you want to see your mother, look at your own face in the mirror’; and this book is also a meditation on life and death and the nature of ageing – how the child we once were is still in all of us. I would highly recommend this masterful family drama with a ghostly twist to any reader of ten plus. It may be short, but it packs a lasting punch.

This review first appeared in The Irish Independent